中国声乐艺术民族化的多元内涵探析

中国声乐艺术\"民族化\"历程可大致划分为三个阶段:第一阶段自五四时期开始到中华人民共和国成立前后,为\"民族化\"美学内涵的初探和发展,其中遭遇了\"全盘西化\"\"文化守成\"和\"中西结合\"思想和观念的交锋和较量,最终确立了中国声乐艺术\"民族化\"\"大众化\"的发展道路;第二阶段是在改革开放语境中,中国音乐文化因\"全球化\"\"文化多样性\"等因素的介入,声乐艺术\"民族化\"的探索因此得到进一步深化,其内涵也由此更加多元并富有个性;第三阶段是进入21世纪以来,世界经济文化格局发生深刻改变,中国声乐艺术需要在世界音乐文化格局中审视自身,继续细化和发扬\"民族化\"的内涵,使中国声乐艺术尽快成为有高度辨识度的艺术形式,从而在世界声乐艺术之林有着话语权和引领作用

民族声乐演唱的审美特点

中国民族声乐艺术形成于一个多民族文化生活的土壤,丰富的语言、不同的地域文化特色再加上中华民族几千年民族音乐文化的积淀发展到今天,已经成了广大中国老百姓所喜闻乐见的一种艺术形式,它采用以声传情的

Evaluation on difference of therapeutic efficacy of Jiawei Xiaoyao Granules and Pills in treatment of emotional disorder during perimenopause based on Greene Climacteric Scale

目的:在前期加味逍遥丸治疗围绝经期情绪障碍具有比较优势的基础上,基于grEEnE量表探讨其颗粒剂和丸剂不同剂型间疗效差异。方法:经筛选后患有情绪障碍的围绝经期女性75例随机等分为A、b、C3组,分别对应采用帕罗西汀、加味逍遥丸和加味逍遥颗粒剂治疗8周。所有患者在治疗前后各进行1次grEEnE及其子因子评定,并在观察期结束时进行TESS评定。结果:grEEnE总分差及其焦虑、抑郁因子分差:3种治疗方法均能改善,且相互间无显著差异;grEEnE性因子和血管因子分差:后二组均优于A组(P<0.01);TESS评分:与A组比较,b、C组均有统计学意义(P<0.01),评分均小于A组,且后二组间无显著差异。结论:加味逍遥的2种剂型间疗效无显著差异,考虑到帕罗西汀的不良反应,治疗该病加味逍遥的2种剂型都值得推荐。Objective: To investigate the difference in therapeutic efficacy between Jiawei Xiaoyao Granules and pills based on the preliminary research of treating emotional disorder during perimenopause with Jiawei Xiaoyao Pills and Greene Climacteric Scale.Methods: 75 female patients with emotional disorder during perimenopause were slected and randomly divided into 3 groups as group A, B and C.Patients in the 3 groups were treated with paroxetine, Jiawei Xiaoyao Pills and Jiawei Xiaoyao Granules respectively for 8 weeks.Greene and Greene factors assessment were carried out in all the patients before and after treatment, and the TESS assessment was carried out at the end of the observation period.Results: The three therapies all could improve the gap in total score of Greene and its factors as anxiety and depressed, and the difference among these three groups was no significant.The factors of Greene and gap in score of vascular factors of group B and C was better than that of group A(P<0.01).The difference in TESS score between group A and group B and C was significant(P<0.01), while the difference between group B and group C was not significant.Conclusion: The difference in curative effect between the two formulations was not significant.Because of the adverse reactions of paroxetine, in the treatment of emotional disorder during perimenopause, the two formulations of Jiawei Xiaoyao Powder were worth to be recommended.国家自然科学青年基金项目(No.81302960)~

The Effects of NS-lactobacillus Complex on Productivity Performance, Plasma Biochemical Indexes and Dilarrhea Rate in Weaned Piglets

选择二元杂交(杜/长)的(28)日龄断奶仔猪90头,平均断奶体重(8.99±1.60)kg,按体重和性别分成3个处理组,每处理3个重复。A组为对照组,饲喂玉米、豆粕基础日粮;B组为添加0.2%(m/m)NS复合乳酸菌制剂到基础日粮中;C组为添加0.2%(m/m)金霉素、0.025%(m/m)阿莫西林和0.012 5%(m/m)的支原净。试验分为3个阶段:试验共30 d,研究微生态制剂NS复合乳酸菌对断奶仔猪生产性能、血液生化指标和减少腹泻率的影响。结果表明,NS复合乳酸菌能显著提高断奶仔猪的生产性能,平均末重、平均增重、平均日增重分别比A组高9.12%,7.64%和7.67%,差异显著(P<0.05);料肉比降低9.70%,差异显著(P<0.05);有效降低断奶仔猪的腹泻率50%,差异极显著(P<0.01);B组的血糖(GLU)含量比A组高20%、超氧化物歧化酶(SOD)活性高10.9%,差异显著(P<0.05),对增强机体抗氧化功能,减少应激作用具有良好效果

The aesthetic characteristics of folk vocal music

中华民族是一个有着几千年悠久历史和灿烂文化的古老国度，，民族声乐作为中国音乐文化发展史中重要的一支，在20世纪至21世纪初的近百年间，经历了蓬勃发展的重要时期，从而开创了中国民族声乐艺术的新纪元。 “歌唱家的艺术天才，突出特征就是演唱的审美能力，演唱审美能力的高低决定着演唱水平的优劣，审美能力越强，演唱的艺术造诣越深，审美能力较差，演唱水平就低”①。由此可见，歌曲演唱的审美意识在演唱过程中的重要性。我们中国民族声乐历来追求歌唱的美感，有丰富的民族语言和光辉的传统文化做底蕴，如何在演唱中体现民族特色与其特有的审美特点，是我们这一代民族声乐工作者的永久性课题，本文就民族声乐的审美特点进行探讨，并...Folk Vocal Music; Singing Performance; Aesthetic Characteristics.China is a country of thousands of years of history and splendid culture. The Chinese folk vocal music, as an important branch of China's music culture, has experienced a period of vigorous development during the nearly a hundred years between the 20th century and the early 21st century, and thus entered a new era ofthe art. "A...学位：艺术学硕士院系专业：艺术学院音乐系_音乐与舞蹈学学号：1872006115172

An Analysis of the Plural Connotations of the Nationalization of Chinese Vocal Music

张宇恒,厦门大学艺术学院助理教授。【中文摘要】中国声乐艺术“民族化”历程可大致划分为三个阶段:第一阶段自五四时期开始到中华人民共和国成立前后，为“民族化”美学内涵的初探和发展，其中遭遇了“全盘西化”“文化守成”和“中西结合”思想和观念的交锋和较量，最终确立了中国声乐艺术“民族化” “大众化”的发展道路;第二阶段是在改革开放语境中，中国音乐文化因“全球化” “文化多样性”等因素的介入，声乐艺术“民族化”的探索因此得到进一步深化,其内涵也由此更加多元并富有个性;第三阶段是进入21世纪以来，世界经济文化格局发生深刻改变,中国声乐艺术需要在世界音乐文化格局中审视自身,继续细化和发扬“民族化”的内涵，使中国声乐艺术尽快成为有高度辨识度的艺术形式，从而在世界声乐艺术之林有着话语权和引领作用。 【Abstract】The “nationalization” process of Chinese vocal music can be divided roughly into three stages. The first stage was from the May 4th Movement to the founding of new China. In this period，the preliminary exploration of the aesthetic connotation of “nationalization”，which experienced the contest of the theories of “wholesale Westernization”，“culture conservatism”and“Chinese and Western integration”，finally established the developmental path of “nationalization”and “popularization” of Chinese vocal music. The second stage emerged after the implementation of the reform and opening up policy. With the intervention of factors such as “globalization” and “cultural diversity”，the exploration of “nationalization” of Chinese vocal music was further developed and its connotation was further diversified and individualized. The third stage started at the beginning of the new millennium with the changes of global economic and cultural patterns. With these profound changes，Chinese vocal music needs to be examined in the context of the world's music culture patterns in order to continue refining and enhancing the connotation of a nationalization”.This will enable Chinese vocal music to transform into a highly recognizable art form and become a leading voice in the world of vocal art