林语堂译介《论语》考论

林语堂的《论语》译介自具特色,在东西方文化交流史上影响深远。就其促发因素看,闽南地域文化,特别是作为主导的儒家思想,不可轻忽。林语堂译介《论语》,既是向西方世界展示真正的中国文明,也为东西方沟通交流提供了一个有效的通道。作为濡染儒家传统的知识分子、深谙西方文化的学者、作家、翻译家、基督徒,兼具错综复杂身份的林语堂对《论语》的译介卓尔不群,独具一格。厦门城市职业学院一般课题(Ky12-20

Experiment Investigation on Plate Type Heat Exchanger Used as Indirect Evaporative Cooler

An experimental investigation was conducted on the performance of a crossflow plate type heat exchanger used as an indirect evaporative cooler.It is found that both the air mass flow rate and the ratio of the mass flow rate have a significant effect on the heat exchanger performance.The clear difference in performance is found for dry and wet conditions due to the great change in the ratio of the heat capacity rate of the two fluids.The experimental results show that the actual friction factor was greater t..

Study on Pr-doped LiYF4 Crystal Spectrum and Red Laser

1960年，Maiman第一次实现红宝石激光器辐射开始，已经研制成功不同类型的固体激光器。早期发展最快的固体激光器是Nd:YAG激光器，之后固体激光器的发展开始变得缓慢，气体和染料激光器开始成为研究重点。但是在80年代中期固体激光器得以迅速发展，这是由于半导体激光二极管效率提升，可以实现全固态，小型化，结构紧凑的激光器。此外，新型激光材料的研究也取得重要进展，而在可见光领域，三价Pr3+稀土离子掺杂增益材料随之成为重要研究课题。 本论文首先介绍了二极管泵浦固体激光器的应用领域和本课题研究的背景，在绪论中重点介绍国外和国内关于Pr3+:LiYF4激光器的最新研究进展。而后，简单探讨与固体激光...In 1960, Maiman operated the ruby (Cr3+:Al2O3) laser in the Hughes Research Laboratories (HRL). His discovery of simulated emission of optical radiation contributed to the develop of the many solid-state lasers, especially the early development of the Nd:YAG laser. And that became one of the most important solid-state laser. But solid-state laser research was some kind of not well probed in the l...学位：工学硕士院系专业：信息科学与技术学院_光学工程学号：2312010115297

The effect of a self-efficacy enhancement strategy on hypnotic tapering in patients with primary insomnia

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[[alternative]]The study of Hun-yun's poetry adopted by the latter poets in Tang and Sung dynasty

博士[[abstract]]韓愈的研究，傳統上都圍繞在「文」與「道」的議題為主，至於其詩歌的研究較為晚出，數量也不如韓文。晚近雖然在質量方面均有所提昇，但主要的研究議題與方法還是圍繞在傳統的研究方法與範疇，如韓愈的身世與仕宦生涯對他的詩歌創作之關係、社會文化思想與韓詩之關係、韓愈詩歌與個人文、道主張之關係等，雖頗有用功精深之作，但在方法上卻未有突破。因此，本文採取歷史的縱向與橫向的觀察，期望能由接受的角度，經由讀者主動的立場與判斷，勾勒出韓愈詩歌在唐宋的發展圖像。 本文共分六章： 第一章為緒論，說明寫作緣由與動機，檢討前人的相關研究之得失，並論述寫作方法與接受美學在本文的使用說明。第二章討論韓愈詩歌的創作技巧、思想與藝術特徵，目的在於對韓愈詩歌的「本文」特徵定調，以作為接受的「本文」基礎，而讓之後接受者有一個可以進入「期待視野」並進行評價的對象。第三章討論中唐社會環境與韓愈詩歌的研究，主要集中在韓愈從事文學活動的前後時期之社會現象的分析，藉以建構一個中唐的「期待視野」，並進行韓詩效果史的研究。然而本時期韓詩的發展條件尚未成熟，接受現象並不普遍。第四章討論晚唐五代社會文化環境與韓愈詩歌的接受，本章在方法上同於第三章，但在社會文化與政治現實的轉變下，促使韓詩有了更大的接受空間與條件，本章可視為韓詩接受的轉折期。第五章討論宋代的文化環境與韓愈詩歌接受，在宋代對道統重建的殷切期盼下，韓詩夾雜「道」的內涵為根基，不斷在爭論中被深化與接受，並對宋代學術產生深厚的影響，可謂韓詩接受的高峰期。第六章為結論，總結本文的研究成果與提出韓詩接受研究的未來展望。 本文期望能由接受的角度，經由讀者主動的立場勾勒出韓愈詩歌在唐宋的的發展圖像。本文除了希望透過韓愈詩歌的接受，觀察各時期韓詩地位的變化外，也期待韓詩的接受像是一面多角的菱鏡，能從中折射、反應各時期的詩歌主流風貌，所以本文除了針對韓詩的接受討論外，也用了許多篇幅比較韓詩與其他詩歌在同一個時空環境下的接受情況，將文學史還原。[[abstract]]Traditionally, the study of is focused on wen and dao .Compared with the study of the his poetry, the quantity is not only lesser but time is much latter. Though, the quality has improved a lot about the study of the Han-Yun’s poetry, the main subject and methodology are still focused on traditional category, nowadays, for instance, the relationship between Han-Yun’s background as a official administrant and his creation of the poetry, cultural impact at that time and his poetry, and the concern with wen and dao in his poetry. These studies really impress us a lot but they don’t have any paradigm shift in methodology. Therefore, this essay will adopt the model of crossing the history to observe the whole process, and anticipates through the angle of the acceptance to sketch the outline about the Han-Yun’s poetry developed in Tang and Sung dynasty by reader’s free-will angle and judgment. This essay has six chapters. The first chapter is general introduction about the subject and motivation. It also reviews the advantages and disadvantages of the related studies about Han-Yun and discusses the way of writing, the explanation of using acceptance of aesthetics in this essay as well. Chapter two discusses the creation technique of Han-Yun’s poetry and characteristic of his idea of art. The purpose is to define the characteristic of his poetry in this essay to be the base of the acceptance , and let the accepter has the target to enter to the anticipated horizon and evaluate the subject. The chapter three discusses the social circumstances and the study of Han-Yun’s poetry in Mid-Tang dynasty. It focuses on the analysis of former and latter social phenomenon of Han-Yun’s literature activities to construct an anticipated horizon in Mid-Tang Dynasty and proceeds the study of the effective history of Han-Yun’s poetry. The chapter four mainly discusses the social-cultural acceptance of Han-Yun’s poetry in late 5th generation. In this chapter the model is as the same as the chapter two. Under the conversion of politic and social circumstances, it provided the space and conditions to accept Han-Yun’s poetry. Therefore, this chapter can be regarded as climacteric of the acceptance of Han-Yun’s poetry. The chapter five deals with the cultural circumstances and acceptance of Han-Yun’s poetry in Sung dynasty. Under the circumstances of being eager for rebuilding the paradigm shift, Han-Yun’s poetry which combined the contents based in dao was generally accepted in disputation, and caused a great impact and influence in academia. In this case, it could be called the peak time of acceptance of Han-Yun’s poetry. The chapter six is the conclusion, it concludes the achievements of the study and advances the expectation of the study of Han-Yun’s poetry adopted by the latter poets in Tang and Sung dynasty. Through the angle of the acceptance to sketch the outline about the Han-Yun’s poetry developed in Tang and Sung dynasty by reader’s free-will angle and judgment is the main purpose of this essay. Apart from observing the change of the Han-Yun’s poetry in different time, it also anticipates that the acceptance is like a prism so it can reflects the main stream of the poetry in different time. In addition, this essay discusses the acceptance of the Han-Yun’s poetry, it also adopts many different poetry compared with the Han-Yun’s poetry at the same time to examine the acceptance under the same circumstances and attempt to restore the history of the literature.[[tableofcontents]]第一章 緒論..............................................1 第一節 問題之擬議.......................................................1 第二節 前人研究之檢討與本議題的開展性..................10 第三節 接受美學在本文的採用與論述說明..................14 第二章 韓愈詩歌的創作技巧、思想與藝術特徵...............24 第一節 韓愈詩歌的創作技巧......................................................25 一、 構句鍊字.......................................25 二、 修辭技巧.......................................33 第二節 韓愈詩歌的思想特徵..............................44 一、 韓愈的「道統」思想.................................44 二、 根柢於經傳的思想...................................50 三、 不平則鳴的「緣情」觀...............................53 第三節 韓愈詩歌的藝術特徵..............................57 一、 「以醜為美」的藝術特徵.............................58 二、 「以反為正」的特殊美學內涵.........................68 第四節 小結............................................84 第三章 中唐社會文化環境與韓愈詩歌的接受.................85 第一節 中唐民族主義的興起與社會文化的轉變..............87 一、 安史之亂促成民族主義的興起.........................87 二、 社會文化的轉變.................................... 88 三、 中唐的文化與文學環境..............................104 第二節 韓愈當世社會接受的主流詩歌.....................110 一、 社會的落差造成流蕩之風............................112 二、 元白集團的唱和相應................................114 三、 禪宗偈語錄與淺白詩風..............................117 第三節 韓愈當世的詩歌流傳與接受.......................120 一、 韓愈自述其詩歌....................................120 二、 時人對韓詩的相關討論..............................122 第四節 小結...........................................130 第四章 晚唐五代社會文化環境與韓愈詩歌的接受...........131 第一節 晚唐的社會文化環境與士風......................132 一、 晚唐的社會文化環境................................132 二、 晚唐社會局勢所形成的文學環境......................136 三、 晚唐的詩歌思想....................................139 第二節 五代的社會文化環境與詩風.......................148 一、 五代十國的社會文化環境............................148 二、 儒家傳統的士風喪失................................149 第三節 晚唐五代對韓愈詩歌的接受.......................153 一、 詩學專著對多種詩歌風格的兼容並蓄..................153 二、 唐代詩歌傳本與選輯......................... ......156 三、 司空圖所代表的韓詩接受之關鍵意義..160 四、《舊唐書･韓愈傳》評韓愈「端士之用心」.................................................. 164 第四節 小結...........................................167 第五章 宋代的文化環境與韓愈詩歌接受...................168 第一節 宋代的學術思想環境與《韓愈集》的流傳...........170 一、道統的發展與文人地位的提高.........................170 二、宋代《韓愈集》的流傳...............................176 第二節 宋初韓學與韓詩的宣傳期.........................186 一、 北宋道的重建標的-----「韓氏之文之道，萬世所共尊」.186 二、 宋初的韓詩接受 ...................................188 第三節 北宋中期韓詩的全面接受期.......................190 一、 歐陽脩的「韓愈情結」..............................190 二、 從司空圖到歐陽脩----「以文為詩」的概念之形成......192 三、 韓詩的接受與仿作..................................195 第四節 宋代韓詩的反思與成熟...........................201 一、 韓詩由極盛而轉向理性思考.........................201 二、 「以文為詩」的形式風格批判........................202 三、 「道」的涉入並鞏固韓詩地位........................211 四、 韓詩的接受與仿作..................................213 第五節 南宋後期韓詩接受的沒落.........................216 一、 朱熹對「道」的建構與取代..........................216 二、 永嘉四靈與江湖詩派的末世之音......................218 第六節 小結...........................................221 第六章 結論...........................................222 一、 本文之研究結論....................................222 二、韓詩接受研究的展望.................................226 參考書目............................................228[[note]]學號: 891000043, 學年度: 9

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