34 research outputs found

    Depth from rotating point spread functions

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    Ultrasound image denoising by spatially varying frequency compounding

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    Abstract. Ultrasound images are very noisy. Along with system noise, a significant noise source is the speckle phenomenon, caused by interference in the viewed object. Most past approaches for denoising ultrasound images essentially blur the image, and they do not handle attenuation. Our approach, on the contrary, does not blur the image and does handle attenuation. Our denoising approach is based on frequency compounding, in which images of the same object are acquired in different acoustic frequencies, and then compounded. Existing frequency compounding methods have been based on simple averaging, and have achieved only limited enhancement. The reason is that the statistical and physical characteristics of the signal and noise vary with depth, and the noise is correlated. Hence, we suggest a spatially varying frequency compounding, based on understanding of these characteristics. Our method suppresses the various noise sources and recovers attenuated objects, while maintaining high resolution.

    Performing labour in Look Left Look Right's Above and Beyond

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    This article looks at the theme of ‘performing labour’ in Look Left Look Right's Above and Beyond (2013). In this performance, individual audience members participate as a generic staff member in a fully functioning five star hotel in London. I consider three modes of performing labour in Above and Beyond: audiences role-playing as staff; theatre workers role-playing as staff and hotel staff performing care and attentiveness. The aesthetics of performing labour is considered as being noticeably theatrical in each of these three modes, prompting an evaluation of what it means to ‘reveal’ labour both inside and outside of explicit theatre contexts. The article concludes, perhaps controversially, by focusing on the bourgeois qualities of this revelation: to be attended to, either as audience or guest, as one who pays for the craft of care

    The expanding galaxy of performing arts: extending theories and questioning practices

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    © 2016 Informa UK Limited, trading as Taylor & Francis Group.This paper introduces the Special Issue on the languages of performing arts and is therefore aimed at designing how the context of the latter can be illuminated by socio-semiotic and multimodal approaches to communication. In this Special Issue, performances and performing arts are described as multimodal semiotic acts that co-deploy a range of semiotic resources to produce and construct meanings across different cultures and ages. Seen as dynamic and interactive processes of meaning-making, their analysis calls for new and multidisciplinary frameworks which are collected in this Special Issue. The introduction gives an overview of these papers and discusses their range of diverse phenomena, both live and recorded, including theatre performances and films, art installations, opera, as well as reading out aloud. By outlining the significance and contribution of different disciplines and fields of studies to the broad area of performance studies, the chapter argues the case for innovative approaches that can extend theories and analyse aesthetic and performative practices in context. With the help of some case studies, it provides guidelines for the reading and interpretation of the several theoretical discussions and practical case studies presented to encourage further multidisciplinary research on these domains
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