52 research outputs found

    Approximate well-supported Nash equilibria in symmetric bimatrix games

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    The ε\varepsilon-well-supported Nash equilibrium is a strong notion of approximation of a Nash equilibrium, where no player has an incentive greater than ε\varepsilon to deviate from any of the pure strategies that she uses in her mixed strategy. The smallest constant ε\varepsilon currently known for which there is a polynomial-time algorithm that computes an ε\varepsilon-well-supported Nash equilibrium in bimatrix games is slightly below 2/32/3. In this paper we study this problem for symmetric bimatrix games and we provide a polynomial-time algorithm that gives a (1/2+δ)(1/2+\delta)-well-supported Nash equilibrium, for an arbitrarily small positive constant δ\delta

    A Direct Reduction from k-Player to 2-Player Approximate Nash Equilibrium

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    We present a direct reduction from k-player games to 2-player games that preserves approximate Nash equilibrium. Previously, the computational equivalence of computing approximate Nash equilibrium in k-player and 2-player games was established via an indirect reduction. This included a sequence of works defining the complexity class PPAD, identifying complete problems for this class, showing that computing approximate Nash equilibrium for k-player games is in PPAD, and reducing a PPAD-complete problem to computing approximate Nash equilibrium for 2-player games. Our direct reduction makes no use of the concept of PPAD, thus eliminating some of the difficulties involved in following the known indirect reduction.Comment: 21 page

    Friedrich Engels travels in a chimney

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    In their youth, Karl Marx (1818–83) and Friedrich Engels (1820–95) were peripatetic poets, philosophers and revolutionaries. Marx’s satiric verse ‘On Hegel’ (1837) has his subject scouring city streets for truth: ‘Kant and Fichte soar to heavens blue / Seeking for some distant land, / I but seek to grasp profound and true / That which – in the street I find’.¹ But the dash signifies that ‘[w]hat the Hegelian speaker embraces on the streets is not truth but Kot, excrement’.² In his 1873 afterword to Capital, volume 1 (1867), Marx recalled finding the dialectic ‘standing on its head’ in..

    BrisBAMN!? Bringing the streets into the museum

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    Brisbane is the narcotic of Queensland's extreme difference. It is a state of exceptional boredom and brutality. This article discusses an exhibition (Taking it to the streets) that explores a period in Brisbane's history when young people sought to change the world through political activities

    Nocturnal Experiments on Worthless Bodies

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    Beyond Anything Realism Can Represent? Monstrous Crime in Marx’s Victorian Novel

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    This article reads Karl Marx’s Capital (volume 1, 1867) as the Bildungsroman of a congenital criminal: its eponymous character, Capital. Following Friedrich Engels’s The Condition of the Working Class in England (1845), Marx detects and dissects capitalism’s crimes. Capital has been called Marx’s ‘Victorian novel’ and compared to English realism’s triple-deckers. Yet his indispensable informants include factory inspectors whose reports, according to Fredric Jameson, provide testimony beyond anything realism can represent. How, then, does Marx’s apparently realist aesthetic convey Capital’s criminal deeds and criminogenic drive? To address this matter, the article examines the Gothicism of Marx’s realism. It highlights his development of Engels’s Gothic realism, demonstrates how Capital begins in media res—its first sentence presenting an immense, monstrous collection of evidence of Capital’s cannibalism—and links this opening crime scene to Marx’s portrayal of the 1863 case of Mary Anne Walkley. Murdered in her workplace, Walkley inhabits an underworld overpopulated by fellow workers killed by wage-labour. The article argues that, because actuality under the rule of Capital is structurally and monstrously criminal, Marx’s Gothic constitutes a realistic medium to represent criminal monsters and structures
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