R. P. Ioannis Azorii Lorcitani, E Societate Iesu Presbyteri Theologi, Institutionum Moralium Tomus ...

Erschienen: T. 1 (1602) - 3 (1612

A Methodological Proposal for the Melodic Analysis of Spontaneous Spoken Utterances with German Modal Particles

En este trabajo se examina la relación que se establece entre entonación y partículas modales del alemán. Para ello, en la primera sección se estudia la bibliografía especializada que trata este tema específico, tomando como punto de partida la tesis de Kriwonossow de 1977. Observamos que esta relación ha sido escasamente desarrollada desde un punto de vista objetivo e instrumental. En la segunda sección, describimos un método para analizar la entonación y su relación con las partículas modales del alemán. Por una parte, el método de análisis descrito posibilita analizar enunciados orales reales, genuinos y espontáneos emitidos por múltiples informantes; y, por otra parte, permite obtener contornos entonativos normalizados y comparables con el objetivo de establecer las diferentes modalidades fonológicas del alemán y definir el significado pragmático de las partículas modales del alemán.In the present paper we analyse the relationship between intonation and German modal particles. In section 1., we review the literature on this specific topic, since Kriwonossow wrote his dissertation in 1977 and we observe that this relationship has been an aspect hardly developed from an objective and instrumental point of view. In section 2., we describe a method for analysing intonation and its relation to German modal particles. The method enables, on the one hand, to analyse real and spontaneous spoken utterances produced by German multiple subjects and, on the other hand, to obtain standardised intonation patterns for establishing phonological modalities in German and define the pragmatic meaning of German modal particle

El concepto de Lacunaridad como incentivo en la vinculación de la estadística y la informática con la ingeniería

En este trabajo se propone desarrollar en forma didáctica, un algoritmo que permita el cálculo de la Lacunaridad, un concepto que se introduce para caracterizar diferentes apariencias de textura. Con ello lograr una implementación computacional que permita internalizar los conceptos de este recurso de alto valor operacional en la ingeniería moderna, en aplicaciones del Procesamiento de Imágenes. Para esto, se recurre a conceptos básicos de la Estadística, como los histogramas y los momentos de primer y segundo orden de distribuciones, que llevan a resolver un problema real de la Ingeniería. Por otro lado, promueve el conocimiento de técnicas modernas incluidas en el extenso horizonte que presenta en nuestros días el uso de la Geometría Fractal. De este modo se enfatiza el alto impacto que tiene la Estadística como herramienta esencial de apoyo en la formación de otros profesionales

Sueños que danzan en el agua. Mestizas y mayas en el teatro de Conchi León

More than a decade ago, Yucatán playwright, director, and actress Conchi León appeared on the Mexican theatre scene, contributing voices originating in ancestral wisdom. From the perspective of contemporary art and aesthetics, as informed by the work of Nelly Richard, Néstor García Canclini, Jacques Rancière, and Walter Mignolo, among others, this article demonstrates the manner in which her plays have transcended traditional Yucatan drama, especially through a commitment to sustainability and social progress. León’s artistic voice allows for marginalized voices to find a place on the stage as part of an “urgent theatre” that characterizes her long and varied career in Mérida and beyond. (Article in Spanish

La mujer como sujeto corporal y reflexivo en el teatro mexicano actual: Dos experiencias, dos miradas, un nuevo síntoma

This article studies Plagio de palabras by Elena Guiochins and Mme. Cuquita’s Show by Pilar Gallegos in a first approach to two creative women and their styles of discourse which do not belong to the hegemonic Mexican theatre scene. Violence, solitude, the fragmented "I," incommunication, dismanteling sexual stereotypes, uncertainty and the contingent game of past, present and future are themes presented in these two performances that depend on fracturing ideas and scenic space, combining minimalism with puppets and the presence of a confessional discourse that oscillates between irony and black humor. (IA, in Spanish

Interacció de codis orals en parla espontània: el cas de les partícules modals de l'alemany

En aquest article s'analitza la coestructuració entre llenguatge verbal, entonació i gestualitat o kinèsica en 406 enunciats audiovisuals amb partícules modals (PM) emesos per 60 informants germanòfons en contexts comunicatius reals, espontanis i genuïns. Concretament, s'estudien les correlacions entre PM i entonació, i entre PM i la gestualitat coexpresiva i sincronitzada amb les emissions verbals

Una propuesta metodológica para el análisis melódico de enunciados orales espontáneos con partículas modales del alemán

In the present paper we analyse the relationship between intonation and German modal particles. In section 1., we review the literature on this specific topic, since Kriwonossow wrote his dissertation in 1977 and we observe that this relationship has been an aspect hardly developed from an objective and instrumental point of view. In section 2., we describe a method for analysing intonation and its relation to German modal particles. The method enables, on the one hand, to analyse real and spontaneous spoken utterances produced by German multiple subjects and, on the other hand, to obtain standardised intonation patterns for establishing phonological modalities in German and define the pragmatic meaning of German modal particles

Las partículas modales del alemán: una revisión crítica

One of the main features on which there seems to be a great agreement among researchers is that German modal particles are mostly used in oral language. However, after reviewing the literature ever since one of the most representative works in this field was made and after considering the characteristics that are derived and that define this group of words as a distinct group from other grammatical categories, we observe, on the one hand, that the relationship between German modal particles and intonation is an aspect hardly developed and, on the other hand, that this relationship is analysed taking into account a corpus of written data. In this paper we purpose to change this point of view and recover the initial assumption. German modal particles would have to be analysed taking into account their natural context where they are used and, in order to do that, they would have to be studied exploring the interrelations between several oral codes, because it is there where their different modal meanings arise