Overhauling Sound Diffusion in Auditoria Using Deep-Subwavelength Acoustic Metamaterials

The reducedamount of space available in critical listening environments, such as orchestra pits, rehearsal rooms or even recording studios, often impairs the installation of helpful, but sizeable, acoustic treatments on their boundaries. This can be a problem as such acoustic treatments, mainly used for sound absorption and diffusion, are key for controlling the physical aspects of sound propagation in the environment. This research thus proposes to study experimentally and numerically a cutting-edge metamaterial-inspired approach designed to provide ultra-thin and adaptable alternatives to traditional acoustic treatments, with a particular focus on sound diffusion, and how these can be integrated in practical computational frameworks. These novel deep-subwavelength acoustic metamaterials, termed metadiffusers, allow for efficient sound diffusion within dimensions 1/10th to 1/20th thinner than ordinary sound diffusers. Moreover, the optimization potential of metadiffusers brings a vast panel of variable configurations depending on the situation requirements. Results presented throughout this thesis outline several of these configurations with experimental and/or numerical validations in free-field scattering scenarios as well as numerical room acoustic applications. Very good agreement is found all through between the analytical and experimental/numerical scattering and diffusion datasets, thus demonstrating the outstanding and versatile potential of metadiffusers to be applied in many critical listening environments where space is at a premium, such as orchestra pits or recording studios

Acoustics Of Classrooms

In this article we will study sound—specifically, how sound allows us to communicate in a classroom and how we can improve that communication. You will learn how sound is measured and how people called acoustics engineers help architects and designers to make sure classrooms are not too noisy—or too quiet. We even have some experiments that you can do to measure sounds at home, at school, or in a football stadium

Coupling of individual quantum emitters to channel plasmons.

Efficient light-matter interaction lies at the heart of many emerging technologies that seek on-chip integration of solid-state photonic systems. Plasmonic waveguides, which guide the radiation in the form of strongly confined surface plasmon-polariton modes, represent a promising solution to manipulate single photons in coplanar architectures with unprecedented small footprints. Here we demonstrate coupling of the emission from a single quantum emitter to the channel plasmon polaritons supported by a V-groove plasmonic waveguide. Extensive theoretical simulations enable us to determine the position and orientation of the quantum emitter for optimum coupling. Concomitantly with these predictions, we demonstrate experimentally that 42% of a single nitrogen-vacancy centre emission efficiently couples into the supported modes of the V-groove. This work paves the way towards practical realization of efficient and long distance transfer of energy for integrated solid-state quantum systems.E.B.-U., R.M., M.G. and R.Q. acknowledge the European Community’s Seventh Framework Programme (grant ERC- Plasmolight; no. 259196) and Fundació privada CELLEX. E.B.-U. acknowledges support of the FPI fellowship from the Spanish MICINN. R.M. acknowledges support of Marie Curie and NEST fellowships. C.G.-B. and F.J.G.-V. acknowledge the European Research Council (ERC-2011-AdG, Proposal No. 290981). C.G.-B., E.M., and F.J.G.-V. acknowledge the Spanish MINECO (Contract No. MAT2011-28581-C02-01). C.G.-B. acknowledges support of the FPU fellowship from the Spanish MECD. I.P.R., T.H. and S.I.B. acknowledge financial support for this work from the Danish Council for Independent Research (the FTP project ANAP, Contract No. 09-072949) and from the European Research Council, Grant No. 341054 (PLAQNAP). Y.A. acknowledges the support of RYC-2011-08471 fellowship from MICINN. We thank Luis Martin-Moreno and Cesar E. García for fruitful discussions, Jana M. Say and Louise J. Brown for providing the ND solution, and Ioannis Tsioutsios for support with the AFM manipulation technique.This is the final published version. It first appeared at http://www.nature.com/ncomms/2015/150807/ncomms8883/full/ncomms8883.html

Woolliness assessment in peaches (Cv. Springcrest) by sensory and instrumental means.

Mealiness is a negative attribute of sensory texture, characterised by the lack of juiciness without variation of total water content in the tissues. In peaches, mealiness is also known as "woolliness" and "leatheriness". This internal disorder is characterised by the lack of juiciness and flavour. In peaches, it is associated with interna browning near the stone and the incapacity of ripening although there is externa ripe appearance. Woolliness is associated with inadequate cold storage and is considered as a physiological disorder that appears in stone fruits when an unbalanced pectolitic enzyme activity during storage occurs (Kailasapathy and Melton, 1992). Many attempts have been carried out to identify and measure mealiness and woolliness in fruits. The texture of a food product is composed by a wide spectrum of sensory attributes. Consumer defines the texture integrating simultaneously all the sensory attributes. However, an instrument assesses one or several parameters related to a fraction of the texture spectrum (Kramer, 1973). The complexity of sensory analysis by means of trained panels to assess the quality of some producing processes, supports the attempt to estimate texture characteristics by instrumental means. Some studies have been carried out comparing sensory and instrumental methods to assess mealiness and woolliness. The current study is centered on analysis and evaluation of woolliness in peaches and is part of the European project FAIR CT95 0302 "Mealiness in fruits: consumer perception and means for detection". The main objective of this study was to develop procedures to detect woolly peaches by sensory and by instrumental means, as well as to compare both measuring procedures

Analysis of Broadband Directivity and FFT Response across One-Third Octave Bands for a Yaybahar vs a Cello

This paper presents an exploration of the Yaybahar, a unique stringed instrument invented by Gorkem Sen. The Yaybahar replaces the resonating body typically found in stringed instruments with a “Thunder Drum” assembly, a combination of a spring and membrane system that enhances the acoustic amplification of the instrument. The excitation of the strings is transmitted through the spring into the membrane, amplifying the output signal and augmenting the sound of the strings with a unique reverb. This results in an acoustics synthesizer that offers multiple avenues for playing, including the strings, spring, and frame drum. The aim of this study is to compare the acoustical properties of the Yaybahar with the long-established Cello to shed light on the instrument. The study focuses on comparative analysis of both the musical instruments through spectral, directivity, Fourier Frequency Transform (FFT) response and vibration transmission analysis. Despite its complex appearance, the Yaybahar is a highly expressive instrument. This paper focuses on Directionality and FFT analysis. Preliminary findings suggest that while the Yaybahar’s sound pressure levels across the frequency spectrum are lower than those of a Cello, it exhibits a similar but a stronger harmonic response. Further research is proposed to understand the behavior of springs in signal transmission/amplification and to investigate how structural integrity can sustain a note longer when the strings are plucked. Additionally, a deeper examination of the Yaybahar’s dimensions and configuration may enable higher sound pressure levels. Future work will also explore the relationship of string thickness and tuning against the steel gauge of the springs, its diameter, the membrane material, frame diameter and tuning. This will contribute to the existing knowledge about the instrument and may also provide insights into the harmonics of the spring and membrane

Acoustic conditions in orchestra pits: are metadiffusers a potential solution?

Rising concerns about public health and safety have progressively induced a change in control of noise regulations, specifically on those applicable to the work environment. These directives have been developed to protect employees from harmful side effects of their working conditions, firstly targeting high noise levels generated by heavy machinery in industry. Nowadays, noise control regulations are widely effective and applicable to nearly all working environments, including institutions dedicated to the arts, such as opera houses. To the latter, directives on noise control are of major concern as opera performances tend to generate very high sound levels, especially in the area of the orchestra pit – the sunken space between stage and audience. In such context, management faces a difficult task conforming to noise regulations as they must balance the sometimes competing demands to (i) dutifully protect their employees – musicians and others – from any harmful ‘sounds’ or ‘noise’ that might be generated, and (ii) deliver world-class operatic art for the public, where noise regulations might compromise the culture of the art form. ‘Sound’ and ‘noise’ are two terms of intense interest when dealing with control of noise regulations in the entertainment sector. Indeed, noise is generally described as ‘unwanted’ sound, judged as unpleasant, whereas music is considered most of the time as a ‘desirable’ and pleasant sound; leading to a debate on the pertinence of noise regulations within the musical arts. Such debate has recently been discussed in the High Court in London, where the court favoured an orchestral viola player who claimed to have suffered noise induced hearing loss during a rehearsal of Wagner's Valkyrie1; the major argument being that the opera house exceeded industry-wide standards on noise control, viz. daily LAE > 85 dBA. Such a case has no precedent in UK history, raising concerns for other opera houses and music spaces on how to enforce noise regulations without affecting the performances’ nature. This leads to the question of whether noise control regulations should apply to all industries, regardless of the type of sound they generate

A Point Mutation in the Hair Cell Nicotinic Cholinergic Receptor Prolongs Cochlear Inhibition and Enhances Noise Protection

The transduction of sound in the auditory periphery, the cochlea, is inhibited by efferent cholinergic neurons projecting from the brainstem and synapsing directly on mechanosensory hair cells. One fundamental question in auditory neuroscience is what role(s) this feedback plays in our ability to hear. In the present study, we have engineered a genetically modified mouse model in which the magnitude and duration of efferent cholinergic effects are increased, and we assess the consequences of this manipulation on cochlear function. We generated the Chrna9L9′T line of knockin mice with a threonine for leucine change (L9′T) at position 9′ of the second transmembrane domain of the α9 nicotinic cholinergic subunit, rendering $\alpha$9-containing receptors that were hypersensitive to acetylcholine and had slower desensitization kinetics. The Chrna9L9′T allele produced a 3-fold prolongation of efferent synaptic currents in vitro. In vivo, Chrna9L9′T mice had baseline elevation of cochlear thresholds and efferent-mediated inhibition of cochlear responses was dramatically enhanced and lengthened: both effects were reversed by strychnine blockade of the $\alpha$9$\alpha$10 hair cell nicotinic receptor. Importantly, relative to their wild-type littermates, Chrna9$^{L9′T/L9′T}$ mice showed less permanent hearing loss following exposure to intense noise. Thus, a point mutation designed to alter $\alpha$9$\alpha$10 receptor gating has provided an animal model in which not only is efferent inhibition more powerful, but also one in which sound-induced hearing loss can be restrained, indicating the ability of efferent feedback to ameliorate sound trauma