Museum

Through an analysis of a critical engagement between Blanchot and Malraux over idea of the museé imaginaire, it becomes apparent that both were seeking to understand the relationship between the museum and experience within modernity. This short article seeks to develop these ideas and to understand the museum as a key institutional space of modernity implicated in addressing the changing character of experience in the present. Following Benjamin’s distinction between experience as Erfahrung and Erlebnis, the essay argues that the museum has always sought to offer a fabricated sense of Erfahrung through its narrative and display techniques but that this facilitates a distracted mode of reception that is now prominent within contemporary cultural life. Through this we can see that the idea of the museé imaginaire is still a prescient one but it has moved from the virtual space of the photographic art book to the simulated culture of the museumified city in general

Forgotten Domestic Objects

This article presents an experimental anthropological method for researching memories about the communist past in Bucharest, Romania. Focusing on collections of ordinary objects in individual households, it examines how domestic spaces function not solely as repositories for artifacts of remembrance, but as containers for things that have been forgotten. Viewing these items as triggers of Proustian/Benjaminian ‘involuntary’ or inadvertent memories, rather than intentionally commemorative souvenirs, I explore how these new encounters offer alternative insights into perceptions of Romania’s past, present, and future. Such an approach reveals forms and contents of remembrance work that counter dominant academic and popular discourses about how Romanians are currently reflecting upon their communist past

Introduction: Memory, Community and the New Museum

Over the last decades, in response to feminist, postmodern and postcolonial critiques of the modern museum, objects, collections and processes of museaIization have been radically re-signified and re-posited in the cultural arena. The new museums emerging from this shift have redefined their functions in and for communities not simply by changing their narratives but by renegotiating the processes of narration and the museal codes of communication with the public. They define themselves now not as disciplinary spaces of academic history but as places of memory, exemplifying the postmodern shift from authoritative master discourses to the horizontal, practice-related notions of memory, place, and community. The key feature of these new museums is that they deploy strategies of applied theatrics to invite emotional responses from visitors: to make them empathize and identify with individual sufferers and victims, or with their own contemporaries inhabiting alternative modernities in distant places. This dossier seeks to probe these new museographic and curatorial discourses, focusing in particular on the memory museum as an emergent global form of (counter)monumentality. Drawing on different geographical and historical contexts, it argues that the new museums’ apparently global aesthetics implies a danger of surrendering the very specificity of historical experiences the memorial ‘site’ offers its visitors

Objecting Relations: The Problem of the Gift

This paper focuses on informants' accounts of gifts displayed on their living room mantelpieces drawn from a recent study exploring domestic display in Cardiff. The mantelpiece is an ideal space for looking at a particular category of salient objects: gifts on show in the home. An interpretation of narrative accounts is located within existing theoretical and empirical studies of gift exchange to reconsider the complex enmeshment of this traditional relation in everyday practices. An equivalence between the mantelpiece and the ‘gifts’ it presents in the home as taken-for-granted, inherited practices and materials leads to a final discussion focusing on the apparently democratised yet still gendered character of everyday gift practices. In conclusion, a consideration of the gendering of the gift questions whether this traditional, problematic method of accounting for and maintaining relations is desirable