Letter from Alison Des Forges to David Rawson

The letter itself is not the main focus of this document. Attached to the letter is a memo detailing new United States policy for Rwanda, following Paul Kagame establishing a new government in Rwanda.https://digitalcommons.georgefox.edu/rawson_rwanda/1098/thumbnail.jp

Māori Wards in Tauranga Moana and Aotearoa: Liminal Local Government Democracy

This thesis focuses on Māori representation within the highly contested arena of local government democracy in Aotearoa New Zealand. Limitations of the current Eurocentric model of local government democracy are considered at various spatial scales. Legislative changes to enable councils to establish Māori wards were launched in the early 2000s. Māori wards are defined locations where those on the Māori electoral roll vote for Māori ward candidates, resulting in dedicated Māori representation at elected member level. Until 2021 when the legislation was amended to remove the ability for public referenda to challenge council decisions on establishing Māori wards, however, little change occurred. Since then, 35 councils have established Māori wards for the 2022 local body elections. The research asks how, and in what ways, do Māori wards decolonise local government and encourage greater Māori representation? To explore this question, the empirical chapters are framed around three key aspects of liminality; the in-between positioning of Māori wards reflecting a time of change; this liminal space being a time where unease and discomfort is experienced by some as Indigenous disparity is addressed; and the threshold positioning of Māori wards as a place of opportunity and creativity, where new ideas and practices may be considered. Geographical concepts of (un)belonging, exclusion and deep colonising reveal challenges for Māori participation at the level of local government decision-making. The research uses an Indigenous methodological framework, Te Ara Tika, based on a framework of Kaupapa Māori, and developed specifically for non-Māori researchers. Māori wards have been widely debated in the media, particularly at the time of changes to the Māori ward legislation in 2021. Thematic analysis of 122 media representations of the Māori ward debate constitutes part of the empirical evidence. Fourteen individual interviews with local government representatives, including elected Council members from Tauranga Moana and members of Te Rangapū Mana Whenua o Tauranga Moana Partnership, were conducted. Additionally, participant observations took place at three public meetings on Māori wards. The way the current form of local government representative democracy impacts Māori representation is identified. The research demonstrates how local government continues to act as a tool of colonialism by privileging Western worldviews, institutions, and systems. The research finds that Māori wards are liminal democratic options that are both decolonising and deep colonising. Evidence shows that the liminal space of Māori wards is an opportunity to consider options for a way forward to reimagine local government as a place of belonging underpinned by Te Tiriti o Waitangi and Te Ao Māori principles. The research builds on decolonisation literatures that seek to unsettle the hegemony of Eurocentric institutions and systems within colonised countries such as Aotearoa. Providing a critical spatial perspective on the intersection of democracy, colonisation and Indigeneity, this thesis advances decolonising geographical knowledges. In particular, this research advances debates about democratic processes, exposing ways in which colonially-based local authority democratic mechanisms contribute to under-representation issues. A reimagined local government allows current hegemonic approaches to be rethought and provides insights for a shift towards genuine decolonising processes

Marking Space and Making Place: Geographies of Graffiti in Wellington, New Zealand

Contemporary graffiti dates from the 1960s when hip-hop style graffiti grew in popularity amongst youth in Philadelphia and New York. It has since spread throughout the world and its various forms and styles are considered both art and vandalism. In Aotearoa New Zealand, graffiti is seen in most urban areas and is regarded as a major problem for local authorities. Despite this, research concerning graffiti in New Zealand is sparse. This research contributes to emerging work on graffiti in Wellington and New Zealand. It aims to provide an insight into the geographies of graffiti in Wellington by exploring the visual, spatial, and temporal aspects of graffiti, as well as the social dynamics informing its production and distribution. Using this information I investigate parallels between what is happening locally and what has been documented in international research. To carry out the research aims, I employed qualitative observations of selected sites around the city over time and used photographs to interpret and document graffiti. I also carried out semi-structured interviews with some graffitists, in addition to people involved in city safety and efforts to stop graffiti. In framing the research I specifically draw from critical geography writing on discourse, power, resistance, place, and space which are particularly salient in regards to graffiti. The research documents similarities with international research in regards to the motivations, rules, and visual, temporal, and spatial aspects. However, Wellington graffitists interact with, and utilise, the city’s space in unique and multifaceted ways which reflect and exhibit localised differences worthy of consideration internationally. For instance, graffitists use, view, and read the urban environment in ways that result in them having an intimacy with the urban environment. Additionally, graffitists think about where they place their graffiti with regards to property, location, intended audiences, and observance to subculture rules

Marking Space and Making Place: Geographies of Graffiti in Wellington, New Zealand

Contemporary graffiti dates from the 1960s when hip-hop style graffiti grew in popularity amongst youth in Philadelphia and New York. It has since spread throughout the world and its various forms and styles are considered both art and vandalism. In Aotearoa New Zealand, graffiti is seen in most urban areas and is regarded as a major problem for local authorities. Despite this, research concerning graffiti in New Zealand is sparse. This research contributes to emerging work on graffiti in Wellington and New Zealand. It aims to provide an insight into the geographies of graffiti in Wellington by exploring the visual, spatial, and temporal aspects of graffiti, as well as the social dynamics informing its production and distribution. Using this information I investigate parallels between what is happening locally and what has been documented in international research. To carry out the research aims, I employed qualitative observations of selected sites around the city over time and used photographs to interpret and document graffiti. I also carried out semi-structured interviews with some graffitists, in addition to people involved in city safety and efforts to stop graffiti. In framing the research I specifically draw from critical geography writing on discourse, power, resistance, place, and space which are particularly salient in regards to graffiti. The research documents similarities with international research in regards to the motivations, rules, and visual, temporal, and spatial aspects. However, Wellington graffitists interact with, and utilise, the city’s space in unique and multifaceted ways which reflect and exhibit localised differences worthy of consideration internationally. For instance, graffitists use, view, and read the urban environment in ways that result in them having an intimacy with the urban environment. Additionally, graffitists think about where they place their graffiti with regards to property, location, intended audiences, and observance to subculture rules

“I’m only a dog!” : the Rwandan genocide, dehumanisation and the graphic novel

Graphic novels written in response to the 1994 Rwandan genocide do not confine their depictions of traumatic violence to humans, but extend their coverage to show how the genocide impacted on animals and the environment. Through analysis of the presentation of people and their relationships with other species across a range of graphic narratives, this article shows how animal imagery was used to justify inhumane actions during the genocide, and argues that representations of animals remain central to the recuperation processes in a post-genocide context too. Whilst novels and films that respond to the genocide have been the focus of scholarly work (Dauge-Roth, 2010), the graphic novel has yet to receive substantial critical attention. This article therefore unlocks the archive of French-, Dutch- and English-language graphic narratives written in response to the genocide by providing the first in-depth, comparative analysis of their animal representations. It draws on recent methodological approaches derived from philosophy (Derrida, [2008] trans. 2009), postcolonial ecocriticism (Huggan and Tiffin, 2010) and postcolonial trauma theory (Craps, 2012) in order show how human-centred strategies for recovery, and associated symbolic orders that forcefully position the animal outside of human law, continue to engender unequal and potentially violent relationships between humans, and humans and other species. In this way, graphic narratives that gesture towards more equitable relationships between humans, animals and the environment can be seen to support the processes of recovery and reconciliation in post-genocide Rwanda

The worlding of St. Petersburg and Shanghai: comparing cultures of communication in two cities before and after revolutions

In this article we propose an alternative model for comparative communication research. We first make the case for comparing cities, especially worlding cities outside what is traditionally called the “West.” We then explicate what we mean by comparing cultures of communication and why this offers an opportunity to reevaluate methodological nationalism and the cultural dynamics of worlding. We go on to use Shanghai and St. Petersburg as two historical examples to demonstrate how worlding cities (1) compel us to see cultural hybridization as a historical process; (2) offer good opportunities to observe contested elements of cultures; (3) make it possible to analyze cities as texts that are always connected with, but not necessarily contained by the nation

Situating Sexual Violence in Rwanda (1990–2001): Sexual Agency, Sexual Consent, and the Political Economy of War

This article situates the sexual violence associated with the Rwandan civil war and 1994 genocide within a local cultural history and political economy in which institutionalized gender violence shaped the choices of Rwandan women and girls. Based on ethnographic research, it argues that Western notions of sexual consent are not applicable to a culture in which colonialism, government policy, war, and scarcity of resources have limited women’s access to land ownership, economic security, and other means of survival. It examines emic cultural models of sexual consent and female sexual agency and proposes that sexual slavery, forced marriage, prostitution, transactional sex, nonmarital sex, informal marriage or cohabitation, and customary (bridewealth) marriages exist on a continuum on which female sexual agency becomes more and more constrained by material circumstance. Even when women’s choices are limited, sometimes impossibly limited, they still exercise their agency to survive. Conflating all forms of sex in conflict zones under the rubric of harm undermines women’s and children’s rights because it reinforces gendered hierarchies and diverts attention from the structural conditions of poverty in postconflict societies

Understanding the political motivations that shape Rwanda’s emergent developmental state

Twenty years after its horrific genocide, Rwanda has become a model for economic development. At the same time, its government has been criticized for its authoritarian tactics and use of violence. Missing from the often-polarized debate are the connections between these two perspectives. Synthesizing existing literature on Rwanda in light of a combined year of fieldwork, we argue that the GoR is using the developmental infrastructure to deepen state power and expand political control. We first identify the historical pressures that have motivated the Rwanda Patriotic Front (RPF) to re-imagine the political landscape. Sectarian unrest, political rivalry, wider regional insecurity, and aid withdrawal have all pressured the RPF to identify growth as strategic. However, the country’s political transformation extends beyond a prioritisation of growth and encompasses the reordering of the social and physical layout of the territory, the articulation of new ideologies and mindsets, and the provision of social services and surveillance infrastructure. Growth and social control go hand in hand. As such, the paper’s main contribution is to bring together the two sides of the Rwandan debate and place the country in a broader sociological literature about the parallel development of capitalist relations and transformations in state power