\u27La Maggior Porcheria Del Mondo\u27: Documents for Ammannati\u27s Neptune Fountain

The story of the creation of the Neptune Fountain on the Piazza della Signoria in Florence is long and tortuous. Scholars have drawn on a wealth of documentary material regarding the competition for the commission, the various phases of the fountain\u27s construction, and the critical reception of its colossus, both political and aesthetic. A collection of unpublished letters at the Getty Research Center in Los Angeles offers a new perspective on the making of this major public monument. Sent by Bartolomeo Ammannati to the prvveditore of Pisa, they chronicle the artist\u27s involvement in the procurement and transportation of marble from Carrara and Seravezza for the chariot and basin of the fountain during the years 1565-73. The correspondence, excerpts from which are published here, shows that Ammannati faced numerous delays and mishaps, and continual pressure from his patrons during this second phase of the fountain\u27s construction. The letters provide further insight into the personality of one of the most important artists at the court of Duke Cosimo I, whose role required the skills of a project manager and negotiator. The commission for a grandiose fountain in Florence\u27s main square took much longer to complete than had been expected and taxed the artist\u27s patience, persistence and resourcefulness. [excerpt

Search for Chargino-Neutralino Pair Production at CDF

We present the results of a search for associated production of the lightest chargino and next-to-lightest neutralino using 1 fb$^{-1}$ of $\sqrt s$ = 1.96 TeV p$\rm \bar p$ data collected with the CDF detector at the Tevatron. We combine the results of several multi-lepton final states to set upper limits on the cross section times branching ratio for chargino-neutralino production as a function of the chargino mass.Comment: Submitted for the SUSY07 proceedings, 3 pages, LaTeX, 6 eps figure

Pre-thermal phases of matter protected by time-translation symmetry

In a periodically driven (Floquet) system, there is the possibility for new phases of matter, not present in stationary systems, protected by discrete time-translation symmetry. This includes topological phases protected in part by time-translation symmetry, as well as phases distinguished by the spontaneous breaking of this symmetry, dubbed "Floquet time crystals". We show that such phases of matter can exist in the pre-thermal regime of periodically-driven systems, which exists generically for sufficiently large drive frequency, thereby eliminating the need for integrability or strong quenched disorder that limited previous constructions. We prove a theorem that states that such a pre-thermal regime persists until times that are nearly exponentially-long in the ratio of certain couplings to the drive frequency. By similar techniques, we can also construct stationary systems which spontaneously break *continuous* time-translation symmetry. We argue furthermore that for driven systems coupled to a cold bath, the pre-thermal regime could potentially persist to infinite time.Comment: Published version, with new title and introductio

The "Building Blocks" of Stellar Halos

The stellar halos of galaxies encode their accretion histories. In particular, the median metallicity of a halo is determined primarily by the mass of the most massive accreted object. We use hydrodynamical cosmological simulations from the APOSTLE project to study the connection between the stellar mass, the metallicity distribution, and the stellar age distribution of a halo and the identity of its most massive progenitor. We find that the stellar populations in an accreted halo typically resemble the old stellar populations in a present-day dwarf galaxy with a stellar mass $\sim 0.2-0.5$ dex greater than that of the stellar halo. This suggest that had they not been accreted, the primary progenitors of stellar halos would have evolved to resemble typical nearby dwarf irregulars.Comment: 7 pages, 3 figures, published in the proceedings of "On the Origin (and Evolution) of Baryonic Galaxy Halos", Puerto Ayora, Ecuador, March 13-17 2017, Eds. Duncan A. Forbes and Ericson D. Lope

Fragile topological phases in interacting systems

Topological phases of matter are defined by their nontrivial patterns of ground-state quantum entanglement, which is irremovable so long as the excitation gap and the protecting symmetries, if any, are maintained. Recent studies on noninteracting electrons in crystals have unveiled a peculiar variety of topological phases, which harbors nontrivial entanglement that can be dissolved simply by the the addition of entanglement-free, but charged, degrees of freedom. Such topological phases have a weaker sense of robustness than their conventional counterparts, and are therefore dubbed "fragile topological phases." In this work, we show that fragile topology is a general concept prevailing beyond systems of noninteracting electrons. Fragile topological phases can generally occur when a system has a $\mathrm{U}(1)$ charge conservation symmetry, such that only particles with one sign of the charge are physically allowed (e.g. electrons but not positrons). We demonstrate that fragile topological phases exist in interacting systems of both fermions and of bosons.Comment: 14 pages. Comments welcome; v2: several discussions are improve

Den "nøytrale observatørs" rolle ved langvarig observasjon av små grupper

Artikkel fra boken: "Problemer i samfunnsvitenskapelig metode

The Plains of Mars, European War Prints, 1500-1825

Over fifty original prints by renowned artists from the sixteenth through the early nineteenth century, including Albrecht Dürer, Lucas Cranach, Théodore Géricault, and Francisco de Goya, among many others, are featured inThe Plains of Mars: European War Prints, 1500-1825. On loan from the Sarah Campbell Blaffer Foundation at the Museum of Fine Arts, Houston, the works of art included in this exhibition examine the topics of war and peace, propaganda, heroism, brutal conflicts, and the harrowing aftermath of battle. Spanning from the Renaissance to the Romantic periods and encompassing a wide geographic scope including Italy, Germany, France, Spain, the Low Countries, England, and North America, the prints depict triumphant Renaissance soldiers, devastating scenes of violence, and satirical caricatures of political figures. Also on display is Goya’s compelling “Disasters of War” series, completed in response to the brutality of the Spanish War of Independence. Goya’s prints serve as a powerful testament to the horrors faced by both soldiers and civilians. Under the direction of Professor Felicia Else and Shannon Egan, Melissa Casale ‘19 and Bailey Harper ‘19 have researched and written didactic labels, catalogue essays, and created an interactive digital interface to complement the exhibition. Together, Melissa and Bailey will lead public tours of the exhibition. A Gallery Talk by Prof. Peter Carmichael will draw connections between the depictions of warfare on view in the Gallery with representations of the American Civil War. James Clifton, Director of the Sarah Campbell Blaffer Foundation at the Museum of Fine Arts, Houston, will be delivering a lecture in conjunction with the exhibition. Dr. Clifton, who also serves as curator of Renaissance and Baroque painting at MFAH, curated the exhibition in its first iteration and wrote the exhibition catalogue (published by Yale University Press). Dr. Clifton’s lecture not only will provide an overview of the exhibition, but also will focus on the concept of “mediated war.” A full-color catalogue with images and essays by Bailey Harper ’19 and Melissa Casale ’19, under the supervision of Profs. Felicia Else and Shannon Egan, is planned to accompany the exhibition.https://cupola.gettysburg.edu/artcatalogs/1028/thumbnail.jp