Using Stop Motion Animation to Sketch in Architecture: A practical approach

Widely acknowledged as an archetypal design activity, sketching is typically carried out using little more than pen and paper. Today’s designed artifacts however, are often given qualities that are hard to capture with traditional means of sketching. While pen and paper sketching catches the character of a building, it may not equally well capture how that building changes with the seasons, how people pass through it, how the light moves in between its rooms from sunrise to dawn, and how its façade subtly decays over centuries. Yet, it is often exactly these dynamic and interactive aspects that are emphasised in contemporary design work. So is there a way for designers to be able to sketch also these dynamic processes? Over several years and in different design disciplines, we have been exploring the potential of stop motion animation (SMA) to serve this purpose. SMA is a basic form of animation typically applied to make physical objects appear to be alive. The animator moves objects in small increments between individually photographed frames. When the photographs are combined and played back in continuous sequence, the illusion of movement is created. Although SMA has a long history in filmmaking, the animation technique has received scarce attention in most design fields including product design, architecture, and interaction design. This paper brings SMA into the area of sketching in architecture by reporting on the planning, conduct, result, and evaluation of a workshop course carried out with a group of 50 students at Umeå School of Architecture, Umeå University, Sweden

'Pataphysical Software: (Ridiculous) Technological Solutions for Imaginary Problems

These days, whether the problem is climate change or boredom, there is an app for that. The rhetoric of problem and solution, accelerated by commercial needs and salvific tech gurus, implies that software can save the world. This paper wants to start a movement/rebellion against the ubiquitous equation of P(problem) + S(software) = S(solution) as a rational approach to the ailments of this world. We question the technological effort to "playfully" afford order and control to humans through the provision of computational rules. Instead, we propose an alternative approach: designing 'pataphysical software to address familiar but ultimately imaginary problems. Defined by poet Alfred Jarry, 'pataphysics is the science of imaginary problems. Adopting the methods of 'pataphysics, we have developed mobile applications that explore invented problems and provide no solutions for them. We demonstrate how such an approach allows us to ask design questions through an aesthetic 'pataphysical practice of software development