576 research outputs found

    Interactions between wind-blown snow redistribution and melt ponds in a coupled ocean–sea ice model

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    Introducing a parameterization of the interactions between wind-driven snow depth changes and melt pond evolution allows us to improve large scale models. In this paper we have implemented an explicit melt pond scheme and, for the first time, a wind dependant snow redistribution model and new snow thermophysics into a coupled ocean–sea ice model. The comparison of long-term mean statistics of melt pond fractions against observations demonstrates realistic melt pond cover on average over Arctic sea ice, but a clear underestimation of the pond coverage on the multi-year ice (MYI) of the western Arctic Ocean. The latter shortcoming originates from the concealing effect of persistent snow on forming ponds, impeding their growth. Analyzing a second simulation with intensified snow drift enables the identification of two distinct modes of sensitivity in the melt pond formation process. First, the larger proportion of wind-transported snow that is lost in leads directly curtails the late spring snow volume on sea ice and facilitates the early development of melt ponds on MYI. In contrast, a combination of higher air temperatures and thinner snow prior to the onset of melting sometimes make the snow cover switch to a regime where it melts entirely and rapidly. In the latter situation, seemingly more frequent on first-year ice (FYI), a smaller snow volume directly relates to a reduced melt pond cover. Notwithstanding, changes in snow and water accumulation on seasonal sea ice is naturally limited, which lessens the impacts of wind-blown snow redistribution on FYI, as compared to those on MYI. At the basin scale, the overall increased melt pond cover results in decreased ice volume via the ice-albedo feedback in summer, which is experienced almost exclusively by MYI

    Skillful spring forecasts of September Arctic sea ice extent using passive microwave sea ice observations

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    In this study, we demonstrate skillful spring forecasts of detrended September Arctic sea ice extent using passive microwave observations of sea ice concentration (SIC) and melt onset (MO). We compare these to forecasts produced using data from a sophisticated melt pond model, and find similar to higher skill values, where the forecast skill is calculated relative to linear trend persistence. The MO forecasts shows the highest skill in March–May, while the SIC forecasts produce the highest skill in June–August, especially when the forecasts are evaluated over recent years (since 2008). The high MO forecast skill in early spring appears to be driven primarily by the presence and timing of open water anomalies, while the high SIC forecast skill appears to be driven by both open water and surface melt processes. Spatial maps of detrended anomalies highlight the drivers of the different forecasts, and enable us to understand regions of predictive importance. Correctly capturing sea ice state anomalies, along with changes in open water coverage appear to be key processes in skillfully forecasting summer Arctic sea ice

    Experimental investigation of stray light from dust contamination in gravitational wave detectors

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    openStray light presents a significant challenge in the LIGO-Virgo interferometers, manifesting as excess noise in the low-frequency region and causing a loss in sensitivity both through increased measurement noise and disruption of control loops. This issue is expected to be even more critical in future interferometers, such as the Einstein Telescope (ET), which will have higher sensitivity in the low-frequency region. Therefore, effective monitoring and mitigation of stray light sources are crucial. This thesis focuses on understanding and controlling stray light contributions, primarily from surface roughness and dust particles deposited on optical components. The Bidirectional Scattering Distribution Function (BSDF) and Total Integrated Scattering (TIS) are utilized to model and characterize stray light sources. The Harvey-Shack model and its generalized form, along with Mie scattering theory, are applied to understand the scattering phenomena. The research included significant enhancements to a scattering measurement facility, including background noise optimization and the implementation of automated measurement procedures. Various samples, including baffle components from Virgo detectors, absorbent glass samples, and silicon wafers used in dust monitoring campaigns, were characterized using the improved facility for their scattering properties. The facility's future focus will be on supporting the dust monitoring campaign, with new wafers periodically exposed in various environments of the Virgo laboratories to monitor dust accumulation. These measurements will help validate BSDF estimates and improve the overall understanding of stray light contributions in gravitational wave detectors

    A Romantic Comedy of Boats and Gardens: Selected Projects in Scenic Design and Technical Direction

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    When this play was given to me as one of my production assignments, I was both thrilled and terrified. I thoroughly enjoy Shakespeare, but I realized that this would also be the largest show of the year; it would be the only production to take place in the Morgan Theater, our largest and most challenging space. This was only my second time designing a realized production and I knew it would be a massive undertaking. However, I knew that having a realized Shakespeare design this early in my career would greatly help my portfolio. Also, my advisor told me that this could have been the best realized portfolio piece I could get during my time at Utah State, so I would need to make the most of it. In this piece especially, my advisor Shawn Fisher wanted me to focus on composition

    Leadership and the creative process insights from the filmmaking industry

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    LAUREA MAGISTRALENell’attuale panorama economico in continua evoluzione, uno degli obiettivi primari per i leader di diverse organizzazioni è la comprensione dei processi da adottare al fine di favorire lo sviluppo di creatività ed innovazione all’interno delle proprie aziende e tra i propri dipendenti. Oggi il tema della creatività risulta più che mai attuale: Sternberg (2007) ha recentemente osservato che mentre in passato la creatività era percepita come una caratteristica opzionale della leadership, oggigiorno non è più considerabile opzionale, dal momento che i leader che mancano di creatività hanno meno probabilità di condurre le proprie aziende nel futuro. L’obiettivo di questa ricerca è quello di studiare la Leadership con riferimento ad un contesto specifico: l’Industria Cinematografica. In particolare, sono stati analizzati diversi casi di studio relativi a sei registi selezionati. È stato possibile concludere che diverse manifestazioni di leadership sono osservabili non solo all’interno dello stesso contesto, ma anche all’interno dello stesso processo creativo. Inoltre grazie ai dati raccolti è stato possibile identificare la struttura del processo creativo, e studiare la rilevanza di ogni sua fase.In today’s evolving and challenging economical context an essential goal for organizational leaders seems to be the comprehension of the process to foster creativity in their companies and in their employees. Nowadays this issue is the focus of interest of many studies and researches: Sternberg (2007) recently observed, while in the past creativity was often perceived as an optional feature of leadership, today it is no longer optional because leaders who lack creativity are unlikely to propel their organizations into the future. The goal of this research was to study Creative Leadership with reference to a specific context: the Filmmaking Industry. In particular, multiple case studies about six movie directors were studied and Directive, Integrative and Facilitative Creative Leadership traits were identified. From this study it was possible to understand that different manifestations of leadership can coexist in the same context and also in the same creative process. Moreover, the structure of the creative process was identified, and the relevance of each process’ stage was enlightened
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