646 research outputs found

    The Price of (Perceived) Affordance: Commentary for Huron and Berec

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    It is argued that the symbolic objects in music and musical scores can permit affordances much as physical objects can. This construction of "affordance" places greater emphasis on cultural forms and human memory than the original idea proposed by James J. Gibson, and it aligns itself more closely with the refinements to "affordance" suggested by Donald Norman. For symbolic objects to permit strongly perceived affordances, it may be necessary for perceivers to have developed schematized perception in the course of over-learning culturally significant forms

    Leonard B. Meyer

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    A Memetic Analysis of a Phrase by Beethoven: Calvinian Perspectives on Similarity and Lexicon-Abstraction

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    This article discusses some general issues arising from the study of similarity in music, both human-conducted and computer-aided, and then progresses to a consideration of similarity relationships between patterns in a phrase by Beethoven, from the first movement of the Piano Sonata in A flat major op. 110 (1821), and various potential memetic precursors. This analysis is followed by a consideration of how the kinds of similarity identified in the Beethoven phrase might be understood in psychological/conceptual and then neurobiological terms, the latter by means of William Calvin’s Hexagonal Cloning Theory. This theory offers a mechanism for the operation of David Cope’s concept of the lexicon, conceived here as a museme allele-class. I conclude by attempting to correlate and map the various spaces within which memetic replication occurs

    Is mindfulness a part of the mental capacity in high-level Norwegian individual sport athletes?: An interview study about high-level ultra-distance triathlon athletes self-regulation during training and competition

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    Masteroppgave - Norges idrettshøgskole, 2013The difference between success and failure has become increasingly smaller in sport (Birrer & Morgan, 2010). While sport psychology relied mainly on “second wave” cognitive-behavioural interventions for the last four decades,, a new direction has recently been suggested. A “third wave” approach in sport psychology, including mindfulness, assumes that ideal performance is a state that is not based on self-control or change in behaviour, but rather a state that arises from recognition and acceptance of thoughts, emotions and bodily sensations (Gardner & Moore, 2004). Experiencing being in the moment, here and now, free from any form for evaluation. Aim of the study: This research project investigated how elite-level triathletes use aspects of mindfulness in training and competition (e.g. Thienot et al., 2012b) such as meta-awareness, acceptance and refocusing strategies. Mindfulness in sports is a recent field and the contemporary tenets need to be tested for validity. This study assessed whether a mindfulness approach is in line with athletes’ practice, and tested how suitable a mindfulness definition may be suitable for sport

    From holism to compositionality: memes and the evolution of segmentation, syntax, and signification in music and language

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    Steven Mithen argues that language evolved from an antecedent he terms “Hmmmmm, [meaning it was] Holistic, manipulative, multi-modal, musical and mimetic”. Owing to certain innate and learned factors, a capacity for segmentation and cross-stream mapping in early Homo sapiens broke the continuous line of Hmmmmm, creating discrete replicated units which, with the initial support of Hmmmmm, eventually became the semantically freighted words of modern language. That which remained after what was a bifurcation of Hmmmmm arguably survived as music, existing as a sound stream segmented into discrete units, although one without the explicit and relatively fixed semantic content of language. All three types of utterance – the parent Hmmmmm, language, and music – are amenable to a memetic interpretation which applies Universal Darwinism to what are understood as language and musical memes. On the basis of Peter Carruthers’ distinction between ‘cognitivism’ and ‘communicativism’ in language, and William Calvin’s theories of cortical information encoding, a framework is hypothesized for the semantic and syntactic associations between, on the one hand, the sonic patterns of language memes (‘lexemes’) and of musical memes (‘musemes’) and, on the other hand, ‘mentalese’ conceptual structures, in Chomsky’s ‘Logical Form’ (LF)

    Law Review at 25, Editors at 50

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    Intergenerational Condemnation

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