Sound predictability as a higher-order cue in auditory scene analysis

A major challenge for the auditory system is to disentangle signals emitted by two or more sound sources that are active in a temporally interleaved manner (sequential stream segregation). Besides distinct characteristics of the individual signals (e.g., their timbre, location, and pitch), one important cue for distinguishing the sound sources is how their emitted signals unfold over time. It seems intuitively plausible that signals that unfold predictably with respect to their acoustic features and time-points of occurrence, such as the repetitive signature of a train moving on the rails, can be more readily identified as originating from one sound source. Based on this rationale, predictive elements have successfully been incorporated into computational models of auditory scene analysis for many years

Modulation-frequency acts as a primary cue for auditory stream segregation

In our surrounding acoustic world sounds are produced by different sources and interfere with each other before arriving to the ears. A key function of the auditory system is to provide consistent and robust descriptions of the coherent sound groupings and sequences (auditory objects), which likely correspond to the various sound sources in the environment. This function has been termed auditory stream segregation. In the current study we tested the effects of separation in the frequency of amplitude modulation on the segregation of concurrent sound sequences in the auditory stream-segregation paradigm (van Noorden 1975). The aim of the study was to assess 1) whether differential amplitude modulation would help in separating concurrent sound sequences and 2) whether this cue would interact with previously studied static cues (carrier frequency and location difference) in segregating concurrent streams of sound. We found that amplitude modulation difference is utilized as a primary cue for the stream segregation and it interacts with other primary cues such as frequency and location difference

Different roles of similarity and predictability in auditory stream segregation

Sound sources often emit trains of discrete sounds, such as a series of footsteps. Previously, two dif¬ferent principles have been suggested for how the human auditory system binds discrete sounds to¬gether into perceptual units. The feature similarity principle is based on linking sounds with similar characteristics over time. The predictability principle is based on linking sounds that follow each other in a predictable manner. The present study compared the effects of these two principles. Participants were presented with tone sequences and instructed to continuously indicate whether they perceived a single coherent sequence or two concurrent streams of sound. We investigated the influence of separate manipulations of similarity and predictability on these perceptual reports. Both grouping principles affected perception of the tone sequences, albeit with different characteristics. In particular, results suggest that whereas predictability is only analyzed for the currently perceived sound organization, feature similarity is also analyzed for alternative groupings of sound. Moreover, changing similarity or predictability within an ongoing sound sequence led to markedly different dynamic effects. Taken together, these results provide evidence for different roles of similarity and predictability in auditory scene analysis, suggesting that forming auditory stream representations and competition between alter¬natives rely on partly different processes

Feature predictability flexibly supports auditory stream segregation or integration

Many sound sources emit series of discrete sounds. Auditory perception must bind these sounds together (stream integration) while separating them from sounds emitted by other sources (stream segregation). One cue for identifying successive sounds that belong together is the predictability between their feature values. Previous studies have demonstrated that independent predictable patterns appearing separately in two interleaved sound sequences support perceptual segregation. The converse case, whether a joint predictable pattern in a mixture of interleaved sequences supports perceptual integration, has not yet been put to a rigorous empirical test. This was mainly due to difficulties in manipulating the predictability of the full sequence independently of the predictability of the interleaved subsequences. The present study implemented such an independent manipulation. Listeners continuously indicated whether they perceived a tone sequence as integrated or segregated, while predictable patterns set up to support one or the other percept were manipulated without the participants’ knowledge. Perceptual reports demonstrate that predictability supports stream segregation or integration depending on the type of predictable pattern that is present in the sequence. The effects of predictability were so pronounced as to qualitatively flip perception from predominantly (62%) integrated to predominantly (73%) segregated. These results suggest that auditory perception flexibly responds to encountered regular patterns, favoring predictable perceptual organizations over unpredictable ones. Besides underlining the role of predictability as a cue within auditory scene analysis, the present design also provides a general framework that accommodates previous investigations focusing on sub-comparisons within the present set of experimental manipulations. Results of intermediate conditions shed light on why some previous studies have obtained little to no effects of predictability on auditory scene analysis

Assessing the validity of subjective reports in the auditory streaming paradigm

Here, we tested three possible biasing effects on perceptual reports in the auditory streaming paradigm: errors due to imperfect understanding of the instructions, voluntary perceptual biasing, and susceptibility to implicit expectations. 1) Analysis of the responses to catch trials separately promoting each of the possible percepts allowed us to exclude participants who likely have not fully understood the instructions. 2) Explicit biasing instructions led to markedly different behavior than the conventional neutral-instruction condition, suggesting that listeners did not voluntarily bias their perception in a systematic way under the neutral instructions. Comparison with a random response condition further supported this conclusion. 3) No significant relationship was found between social desirability, a scale-based measure of susceptibility to implicit social expectations, and any of the perceptual measures extracted from the subjective reports. This suggests that listeners did not significantly bias their perceptual reports due to possible implicit expectations present in the experimental context. In sum, these results suggest that valid perceptual data can be obtained from subjective reports in the auditory streaming paradigm

The role of perceived source location in auditory stream segregation: separation affects sound organization, common fate does not

The human auditory system is capable of grouping sounds originating from different sound sources into coherent auditory streams, a process termed auditory stream segregation. Several cues can influence auditory stream segregation, but the full set of cues and the way in which they are integrated is still unknown. In the current study, we tested whether auditory motion can serve as a cue for segregating sequences of tones. Our hypothesis was that, following the principle of common fate, sounds emitted by sources moving together in space along similar trajectories will be more likely to be grouped into a single auditory stream, while sounds emitted by independently moving sources will more often be heard as two streams. Stimuli were derived from sound recordings in which the sound source motion was induced by walking humans. Although the results showed a clear effect of spatial separation, auditory motion had a negligible influence on stream segregation. Hence, auditory motion may not be used as a primitive cue in auditory stream segregation

The effects of rhythm and melody on auditory stream segregation

Whilst many studies have assessed the efficacy of similarity-based cues for auditory stream segregation, much less is known about whether and how the larger-scale structure of sound sequences support stream formation and the choice of sound organization. Two experiments investigated the effects of musical melody and rhythm on the segregation of two interleaved tone sequences. The two sets of tones fully overlapped in pitch range, but differed from each other in interaural time and intensity. Unbeknownst to the listener, separately, each of the interleaved sequences was created from the notes of a different song. In different experimental conditions, the notes and/or their timing could either follow those of the songs, or they could be scrambled or, in case of timing, set to be isochronous. Listeners were asked to continuously report whether they heard a single coherent sequence (integrated) or two concurrent streams (segregated). Although temporal overlap between tones from the two streams proved to be the strongest cue for stream segregation, significant effects of tonality and familiarity with the songs were also observed. These results suggest that the regular temporal patterns are utilized as cues in auditory stream segregation and that long-term memory is involved in this process

Distortions of Subjective Time Perception Within and Across Senses

Background: The ability to estimate the passage of time is of fundamental importance for perceptual and cognitive processes. One experience of time is the perception of duration, which is not isomorphic to physical duration and can be distorted by a number of factors. Yet, the critical features generating these perceptual shifts in subjective duration are not understood. Methodology/Findings: We used prospective duration judgments within and across sensory modalities to examine the effect of stimulus predictability and feature change on the perception of duration. First, we found robust distortions of perceived duration in auditory, visual and auditory-visual presentations despite the predictability of the feature changes in the stimuli. For example, a looming disc embedded in a series of steady discs led to time dilation, whereas a steady disc embedded in a series of looming discs led to time compression. Second, we addressed whether visual (auditory) inputs could alter the perception of duration of auditory (visual) inputs. When participants were presented with incongruent audio-visual stimuli, the perceived duration of auditory events could be shortened or lengthened by the presence of conflicting visual information; however, the perceived duration of visual events was seldom distorted by the presence of auditory information and was never perceived shorter than their actual durations. Conclusions/Significance: These results support the existence of multisensory interactions in the perception of duration and, importantly, suggest that vision can modify auditory temporal perception in a pure timing task. Insofar as distortions in subjective duration can neither be accounted for by the unpredictability of an auditory, visual or auditory-visual event, we propose that it is the intrinsic features of the stimulus that critically affect subjective time distortions

DNA strand break repair and neurodegeneration.

A number of DNA repair disorders are known to cause neurological problems. These disorders can be broadly characterised into early developmental, mid-to-late developmental or progressive. The exact developmental processes that are affected can influence disease pathology, with symptoms ranging from early embryonic lethality to late-onset ataxia. The category these diseases belong to depends on the frequency of lesions arising in the brain, the role of the defective repair pathway, and the nature of the mutation within the patient. Using observations from patients and transgenic mice, we discuss the importance of double strand break repair during neuroprogenitor proliferation and brain development and the repair of single stranded lesions in neuronal function and maintenance