Case report: plasma leakage in a polymethylpentene oxygenator during extracorporeal life support

Plasma leakage is a phenomenon which has almost completely disappeared since the introduction of plasma-tight polymethylpentene (PMP) fibers in oxygenators used for extracorporeal life support (ECLS). We describe here a case of ECLS which was affected by the rapid occurrence of plasma leakage in oxygenators with polymethylpentene fibers. To our knowledge, this is the first report of the phenomenon since the introduction of this new generation of oxygenators. </jats:p

Des Pneumonies anomales, par le Dr Lhuillier

Avec mode text

La grande conference des ordonnances, et edits royaux : distribvee en XII. livres, a l\u27imitation & selon l\u27ordre & distribution du code de l\u27Empereur Justinien

A Paris : Chez Antoine Dezallier , 1679[14], 180, 769, [1] p. ; 38 cm. (fol.)Signatures: [*][4] (-*3) 2*[4] a-p[6] A-3S[6] (k3, 2S2, 2S6 misprinted k2, 2R2, 2S4)Errors in paging: p. 29-30 of [3rd pt.], 409-410 omitted, p. 33-34 of [3rd pt.], repeated, p. 52 of [3rd pt.], 212, 413-414, 419-420, 484, 539, 595, 610, 765 numbered 51, 112, 411-412, 417-418, 480, 536, 695, 601, 763Imperfect: p. [5]-[6] wanting"Purgee de grande quantité de fautes, qui s\u27estoient glissées aux precedentes impressions, avec la chronologie, et les indices tres-exacts"T.p. in red and blackhttps://www.tulips.tsukuba.ac.jp/lib/ja/collection/bunko-collection#23

Fashion Exhibitions as Scholarship: Evaluation Criteria for Peer Review

Curated exhibitions are places where research practice, creative design, storytelling, and aesthetics converge. In this article, we use the term “fashion exhibition” to refer to the organized display of extant dress-related items within museums or other public spaces. Curation, as a form of creative design research, produces numerous outcomes including museum exhibitions, digital archives, and associated publications; however, our field has not yet established a method to peer review fashion exhibitions. In this article, we build upon the work of previous scholars to propose criteria for evaluating fashion exhibitions. In doing so, we aim to elevate the scholarly status of fashion exhibitions, particularly those mounted by modestly funded institutions, and use the recent fashion exhibition, “Women Empowered: Fashions from the Frontline,” as an example to illustrate our argument