Capitalist apocalypse in the painting of John Martin and Gordon Cheung

Taking as its starting point Tate Britain’s recent John Martin retrospective, entitled John Martin: Apocalypse, this paper considers the possibility that depictions of biblical apocalyptic scenes in Martin’s paintings are actually metaphors for revolution (French and American). The frst half of the paper investigates possible links between Martin’s apocalyptic imagery, British imperial ambitions and the rise of capitalism. It also considers how Martin’s plans for urban redevelopment are linked to his preoccupation with cataclysmic doom. Through icono- graphical readings of Martin’s paintings the paper hypoth-esizes that themes such as the fall of great civilizations and the wrath of god are not coincidental but concerns contemporary to Martin caused by capitalist expansion. The second part of the paper goes on to investigate the possibility that our contemporary interest in the apocalypse is in fact, just as it was in Martin’s time, a metaphor for militant unrest, which is manifested in theory and culture because of our inability to imagine the end of capitalism in this context the paper turns to contemporary painter Gordon Cheung to reconsider the idea, attributed to Jameson and Žižek, that it is easier to imagine the end of the world than the end of capitalism

Militant training camp and the aesthetics of civil disobedience

This paper examines the current interest in ‘art activism’ (Grindon 2010), and the relationship between artistic expression and civil disobedience. Boris Groys has argued that the lack of political dissidence within contemporary art is not down to the ineffectiveness of the aesthetic, but the far more effective intrusion of the aesthetic by the political (Groys 2008). As such, the political question of civil disobedience is necessarily an aesthetic one. At the same time, this raises problems for how politically effective artistic dissidence can be. As Grindon argues, if art activism often only mimics ‘real’ social activism, it remains within the boundaries of the gallery system with no real consequences (2010: 11). Most art activism fails to be effective civil disobedience, in this sense, as it already operates within the confines of pre-established curatorial spaces. As such, the use of art for the purposes of civil disobedience cannot be, then, mere aestheticism, but rather must act as ‘an insight into the transformed mechanisms of conquest’ (Groys, in Abdullah & Benzer 2011: 86): a conflict over the topology of disobedience which exposes the interrelation of aesthetics and politics through medium, space and archive. This paper critically assesses attempts in contemporary art to re-appropriate the symbolic dimension of dissidence as an aesthetic; in particular the use of militancy, asceticism and dissidence as an attempt to move beyond mere counter-political protest and towards a reclaiming of aesthetics from the intrusions of politics. It uses as a specific case example Militant Training Camp, a social experimental performance camp held at Arcadia Missa Gallery in London, March 2012. This weeklong performance piece was designed to explore the activity and mind-set of militant groups and the idea of non-pacifist activity within wider social movements. Engaging with not only the tradition of anarchist activism, but also more recent artistic engagements with civil disobedience (such as the Yes Men; Avaaz.org; Bike Bloc), the camp involved a residential ascetic ‘training programme’ followed by a series of violent performances open to the public, often disturbing other sites of protest such as Anarchist theatres and Occupy sites in the process. The paper uses first-hand documentary evidence and critical reflection on the event in order to argue that, as both an act of civil disobedience, and an exploration of the limits of its aesthetic treatment, the event raises two specific issues surrounding the notion of disobedience and its conceptual possibilities. The first issue is the representation of rage within the context of art activism. Here, the performance is discussed with particular reference to Sloterdijk’s arguments that argues that militancy and revolt operate under a ‘thymotic economy’ (2010: 58). However, Sloterdijk’s re-appropriation of the thymotic – a conceptualising of ‘rage’ which is not absorbed within the sublimination of psychology or Habermasian symbolism – is not as simple as offering an alternative, ‘non-symbolic’ rage. Given that modern militancy is always subject to containment (the ‘civility’ of civil disobedience), the second issue raised is the formative role of ‘curating’ acts of disobedience. Using the work of Groys on aesthetics and power, the paper assesses how ‘events’ of civil disobedience such as Militant Training Camp are located, represented, circulated and even stored, and the ways in which they might resist their reduction to or supplementing of a further economy (be it symbolic, banal or simply pious) which conceals the formative ‘rage’ of disobedience

Hierarchies of factor solutions in the intelligence domain : applying methodology from personality psychology to gain insights into the nature of intelligence

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The Sugar Daddy's Game: How Wealthy Investors Change Competition in Professional Team Sports

Professional sports leagues have witnessed the appearance of so-called "sugar daddies" - people who invest enormous amounts of money into clubs and become their owners. This paper presents a contest model of a professional sports league that incorporates this phenomenon. We analyze how the appearance of a sugar daddy alters competitive balance and social welfare compared to a league with purely profit-maximizing club owners. We further show that the welfare effect of revenue sharing in a sugar daddy league is ambiguous and depends on the degree of redistribution and on whether the sugar daddy invests in a small or large club.Competitive balance, contest model, social welfare, sports leagues, sugar daddy

Competitive Balance and Revenue Sharing in Sports Leagues with Utility-Maximizing Teams

This paper develops a contest model of a professional sports league in which clubs maximize a weighted sum of profits and wins (utility maximization). The model analyzes how more win-orientated behavior of certain clubs affects talent investments, competitive balance and club profits. Moreover, in contrast to traditional models, we show that revenue sharing does not always reduce investment incentives due to the dulling effect. We identify a new effect of revenue sharing called the "sharpening effect". In the presence of the sharpening effect (dulling effect), revenue sharing enhances (reduces) investment incentives and improves (deteriorates) competitive balance in the league.Competitive balance, contest, invariance proposition, objective function, revenue sharing, team sports league, utility maximization

Inclusion of new LHC data in MMHT PDFs

I consider the effects of including a variety of new LHC data sets into the MMHT approach for PDF determination. I consider the impact of fitting new LHC and Tevatron data, which leads to clear improvements in some PDF uncertainties. There are specific issues with ATLAS 7 TeV jet data and I include a discussion of the treatment of correlated uncertainties and briefly the effects of NNLO corrections. I also present preliminary results with the inclusion of the high precison final ATLAS 7 TeV $W,Z$ rapidity-dependent data.Comment: 6 pages. To appear in proceedings of DIS2017 Worksho

Spontaneous particle-hole symmetry breaking of correlated fermions on the Lieb lattice

We study spinless fermions with nearest-neighbor repulsive interactions ($t$-$V$ model) on the two-dimensional three-band Lieb lattice. At half-filling, the free electronic band structure consists of a flat band at zero energy and a single cone with linear dispersion. The flat band is expected to be unstable upon inclusion of electronic correlations, and a natural channel is charge order. However, due to the three-orbital unit cell, commensurate charge order implies an imbalance of electron and hole densities and therefore doping away from half-filling. Our numerical results show that below a finite-temperature Ising transition a charge density wave with one electron and two holes per unit cell and its partner under particle-hole transformation are spontaneously generated. Our calculations are based on recent advances in auxiliary-field and continuous-time quantum Monte Carlo simulations that allow sign-free simulations of spinless fermions at half-filling. It is argued that particle-hole symmetry breaking provides a route to access levels of finite doping, without introducing a sign problem.Comment: 9 pages, 6 figures, added data for strong Coulomb repulsion and classical Ising-limi