Reconfiguring the Appearance and Expression of Social Robots by Acknowledging their Otherness

The design of social robots usually does not focus on their kinetic expression, and often follows the assumption that their appearance should be human or animal like. To encourage a broader understanding of the possibilities for design of social robots, and as an inquiry into alternative relations with them, we present two robots, the Lat-Sac and the Blo-Nut, which are purposefully moving away from typical social robot design. We present how we engaged performance experts in the choreographic sketching of their elastic expression, and how we staged the robots in a fictitious near-future scenario to create a discursive space for reflection on emerging relations. Based on these encounters we discuss how acknowledging the otherness of social robots can be valuable in designing as well as growing intriguing relations with them

Emmanuel Levinas. Textes relatifs à la soutenance de thèse du 6 juin 1961

Présentation Le dossier de la soutenance de thèse d’Emmanuel Levinas tel qu’il se trouve dans les archives déposées à l’IMEC contient des textes préparés à l’avance, notamment l’intervention initiale d’Emmanuel Levinas pour la présentation de son travail, mais également des réponses à partir du rapport de Gabriel Marcel reçu avant la soutenance. Il y a sans doute également des textes écrits au moment même de la soutenance. Tels qu’il..

Video Nasty: The Moral Apocalypse in Koji Suzuki’s Ring

Although overshadowed by its filmic adaptations (Hideo Nakata, 1998 and Gore Verbinski, 2002), Koji Suzuki’s novel Ring (1991) is at the heart of the international explosion of interest in Japanese horror. This article seeks to explore Suzuki’s overlooked text. Unlike the film versions, the novel is more explicitly focused on the line between self-preservation and self-sacrifice, critiquing the ease with which the former is privileged over the latter. In the novel then, the horror of Sadako’s curse raises questions about the terrors of moral obligation: the lead protagonist (Asakawa) projects the guilt he feels over his self-interested actions, envisaging them as an all-consuming apocalypse

Proximity: A Levinasian Approach to Justice for Animals

The increased use of terms associated with rights appears to have led, at the most, to only moderate changes with regard to the actual level of protection and the underlying ethical-legal status of animals. Whereas the rights discourse may have been a logical first step, there appears to be underlying issues that cannot be adequately addressed through this discourse

Governance and Susceptibility in Conflict Resolution: Possibilities Beyond Control

Governmentality analysis offers a nuanced critique of informal Western conflict resolution by arguing that recently emerged alternatives to adversarial court processes both govern subjects and help to constitute rather than challenge formal regulation. However, this analysis neglects possibilities for transforming governance from within conflict resolution that are suggested by Foucault's contention that there are no relations of power without resistances. To explore this lacuna, I theorise and explore the affective and interpersonal nature of governance in mediation through autoethnographic reflection upon mediation practice, and Levina's insights about the relatedness of selves. The paper argues that two qualitatively different mediator capacities - technical ability and susceptibility - operate in concert to effect liberal governance. Occasionally though, difficulties and failures in mediation practice bring these capacities into tension and reveal the limits of governance. By considering these limits in mediation with Aboriginal Australian people, I argue that the susceptibility of mediator selves contains prospects for mitigating and transforming the very operations of power occurring through conflict resolution. This suggests options for expanded critical thinking about power relations operating through informal processes, and for cultivating a susceptible sensibility to mitigate liberal governance and more ethically respond to difference through conflict resolution

Morally Respectful Listening and its Epistemic Consequences

What does it mean to listen to someone respectfully, that is, insofar as they are due recognition respect? This paper addresses that question and gives the following answer: it is to listen in such a way that you are open to being surprised. A specific interpretation of this openness to surprise is then defended

(En)gendering the political: Citizenship from marginal spaces

This introduction sets out the central concerns of this special issue, the relationship between marginality and the political. In doing so it makes the argument that the process of marginalisation, the sites and experiences of ‘marginality’ provide a different lens through which to understand citizenship. Viewing the political as the struggle over belonging it considers how recent studies of citizenship have understood political agency. It argues that marginality can help us understand multiple scales, struggles and solidarities both within and beyond citizenship. Whilst there is a radical potential in much of the existing literature in citizenship studies it is also important to consider political subjectivities and acts which are not subsumed by right claims. Exploring marginality in this way means understanding how subjects are disenfranchised by regimes of citizenship and at the same how time this also (en)genders new political possibilities which are not always orientated towards 'inclusion'. The introduction then sets out how each article contributes to this project

Transcultural engagement with Polish memory of the Holocaust while watching Leszek Wosiewicz's Kornblumenblau

Kornblumenblau (Leszek Wosiewicz 1989) is a film that explores the experience of a Polish political prisoner interned at Auschwitz I. It particularly foregrounds issues related to Polish-Jewish relations during the Holocaust in its diegesis. Holocaust films are often discussed in relation to representation and the cultural specificity of their production context. However, this paper suggests thinking about film and topographies, the theme of this issue, not in relation to where a work is produced but in regards to the spectatorial space. It adopts a phenomenological approach to consider how, despite Kornblumenblau's particularly Polish themes, it might address the transcultural spectator and draw attention to the broader difficulties one faces when attempting to remember the Holocaust. Influenced particularly by the writing of Jennifer M. Barker and Laura U. Marks, this paper suggests that film possesses a body ¬¬- a display of intentionality, beyond those presented within the diegesis, which engages in dialogue with the spectator. During the experience of viewing Kornblumenblau, this filmic corporeality draws attention to the difficulties of confronting the Holocaust in particularly haptic ways, as the film points to the unreliability of visual historical sources, relates abject sensations to concentrationary spaces and breaks down as it confronts the scene of the gas chamber