On Trying to be Collective

In this article we ask in what way can the notion of care, collectivizing and the collective become a primary part of contemporary art practice? And further, what types of art practices address these central tenets of democracy? We do this by reflecting on the political potential of care and its importance as a tool for achiev- ing an equal society. Uniting the action of care and collectivity, we conclude that together these two undertakings represent a political force of commoning within the public sphere. Utilizing the writing of Beech, Hutchinson and Timberlake, who argue for collectivism over collaboration as a way towards societal change, we reflect upon the political implications for art when artists work collectively. We consider the practices and function of other art collectives examining their key purpose for acting collectively. We employ our previous practice as the Freee Art Collective, as well as our more recent work as the Partisan Social Club to consider in what ways our practice can be deemed collective

Two images of Nantes as a ‘Green Model’ of Urban Planning and Governance: The ‘Collaborative City’ Versus the ‘Slow City’

This article examines how the city of Nantes, European Green Capital in 2013, came to promote plans for a new international airport at Notre-Dame-des-Landes. Deploying poststructuralist discourse theory, it analyses how the highly politicised struggle against the airport reveals the limits of the Nantes model of urban sustainability and collaboration, giving rise to a counter model, which we provisionally characterise as the ‘slow city’. While the struggle against the airport can be understood as a rural social movement, we show how its ideals and logics have been progressively displaced to Nantes itself, disclosing new images and possibilities of urban governance