La adaptación de la producción artística frente al contexto pandémico

El contexto pandémico acarreó consigo diversas dificultades para todos los ámbitos dentro la sociedad. Las disciplinas artísticas no escaparon a ello y fue así como tuvieron que buscar distintas estrategias para poder subsistir y/o reinventarse.&nbsp

Género y Diversidad en las Artes Escénicas Contemporáneas

Este escrito tiene el propósito de dejar un registro breve de lo acontecido en la Comisión A de Género y Diversidad, en la que los expositores compartieron diversas experiencias teóricas y prácticas que problematizan el arte escénico contemporáneo.&nbsp

Reflexiones sobre la escritura teatral

Revisando el pasado se pueden estudiar las poéticas propias de una región, de una época o de un estilo de escritura.&nbsp

Under, Teatro Independiente y Popular

El Teatro Independiente en Buenos Aires es reconocido mundialmente por la multiplicidad de lenguajes, la proliferación de espacios y su abundante y heterogénea cartelera.&nbsp

La dramaturgia de Leónidas Barletta. Análisis sobre Odio y La edad del trapo

Extensive is the recognition of Léonidas Barletta for his career as a journalist, through his literary works and for his immense contribution to the renewal of the national scene. Always crossed by a marked ideology and socio-political militancy, it was consecrated as an icon of the Independent Theater, from the foundation of the People’s Theater and by multiple staging of invaluable texts such as, for example, those of Roberto Arlt. This study proposes the analysis of Barletta, not only as an active promoter of the scene of the time, but as a playwright through the pieces Hate (1931) and The Age of the Rag (1956). Barletta also made a difference in what the theater was until that moment, establishing norms and even manuals (Actor’s Manual and Director’s Manual), about how the theatrical activity should be. In spite of his innumerable achievements, the scarce dramaturgy of the famous theatrical player is not recognized, has not transcended too much, nor has it been represented on numerous occasions and neither his dramatic and theoretical texts have been reissued todayExtenso es el reconocimiento a Léonidas Barletta por su trayectoria como periodista, a través de sus obras literarias y por su inmenso aporte para la renovación de la escena nacional. Atravesado siempre por una marcada ideología y militancia socio-política, se consagró como ícono del Teatro Independiente, a partir de la fundación dExtensive is the recognition of Léonidas Barletta for his career as a journalist, through his literary works and for his immense contribution to the renewal of the national scene. Always crossed by a marked ideology and socio-political militancy, it was consecrated as an icon of the Independent Theater, from the foundation of the People’s Theater and by multiple staging of invaluable texts such as, for example, those of Roberto Arlt. This study proposes the analysis of Barletta, not only as an active promoter of the scene of the time, but as a playwright through the pieces Hate (1931) and The Age of the Rag (1956). Barletta also made a difference in what the theater was until that moment, establishing norms and even manuals (Actor’s Manual and Director’s Manual), about how the theatrical activity should be. In spite of his innumerable achievements, the scarce dramaturgy of the famous theatrical player is not recognized, has not transcended too much, nor has it been represented on numerous occasions and neither his dramatic and theoretical texts have been reissued todayel Teatro del Pueblo y por múltiples puestas en escena de textos invaluables como –por ejemplo– los de Roberto Arlt. Este estudio propone el análisis de Barletta, no sólo como promotor activo de la escena de la época, sino como dramaturgo por medio de las piezas Odio (1931) y La edad del trapo (1956). Barletta también marcó una diferencia en lo que era el teatro hasta ese momento, estableciendo normas e incluso manuales (Manual del actor y Manual del Director), sobre cómo debía ser la actividad teatral. A pesar de sus innumerables logros, la escasa dramaturgia del famoso teatrista no es reconocida, no ha trascendido demasiado, ni ha sido representada en numerosas ocasiones y tampoco sus textos dramáticos y teóricos han sido reeditados en la actualidad.O reconhecimento a Leónidas Barletta por sua trajetória como periodista é extenso, a través de suas obras literárias e por seu grande aporte para a renovação da cena nacional. Atravessado sempre por uma marcada ideologia e militância sócio-política, se consagrou como ícone do Teatro Independente, a partir da fundação do Teatro do Povo e por múltiplas postas em cena de textos valiosos como, por exemplo, os de Roberto Arlt. Este estudo propõe a análise de Barletta, são somente como promotor ativo da cena da época, senão como dramaturgo por meio das peças Odio (1931) e A idade de trapo (1956). Barletta também marcou uma diferença no que era o teatro até esse momento, estabelecendo normas e inclusive manuais (Manual do ator e Manual do Diretor), sobre como devia ser a atividade teatral. A pesar dos seus logros, a escassa dramaturgia do famoso teatrista não é reconhecida, não tem transcendido muito, nem tem sido representada em numerosas ocasiões e tampouco seus textos dramáticos e teóricos foram reeditados na atualidade.&nbsp

Imagen, Transmedia y Videojuegos

 Durante el turno mañana de esta primera edición del Congreso Tendencias Audiovisuales, se desarrolló la Ronda de Presentación de Proyectos destinada a Imagen, Transmedia y Videojuegos.&nbsp

Emprendedores escénicos

En esta mesa de Teatro, danza y emprendimientos, hubo heterogeneidad de proyectos, expositores y nacionalidades, y se pudo visualizar una búsqueda en común de cierto rédito económico con respecto al arte, sin perder de vista responsabilidad social y el deseo personal

Resignificaciones de la danza

En la comisión sobre Danza y Expresión Corporal de la quinta edición del Congreso Tendencias Escénicas se presentaron cuatro trabajos provenientes de la relectura de la danza en la actualidad

Prevalence, Outcome, and Prevention of Congenital Cytomegalovirus Infection in Neonates Born to Women with Preconception Immunity (CHILd Study)

Background: Human cytomegalovirus (HCMV) is the leading infectious cause of congenital disabilities. We designed a prospective study to investigate the rate, outcome, and risk factors of congenital CMV (cCMV) infection in neonates born to immune women, and the potential need and effectiveness of hygiene recommendations in this population. Methods: The study was composed of 2 sequential parts: an epidemiology (part 1) and a prevention (part 2) study. Performance of part 2 depended upon a cCMV rate >0.4%. Women enrolled in part 1 did not receive hygiene recommendations. Newborns were screened by HCMV DNA testing in saliva and cCMV was confirmed by urine testing. Results: Saliva swabs were positive for HCMV DNA in 45/9661 newborns and cCMV was confirmed in 18 cases. The rate of cCMV was. 19% (95% confidence interval [CI]:. 11-.29%), and 3 out of 18 infants with cCMV had symptoms of CMV at birth. Age, nationality, occupation, and contact with children were similar between mothers of infected and noninfected newborns. Twin pregnancy (odds ratio [OR]: 7.2; 95% CI: 1.7-32.2; P =. 037) and maternal medical conditions (OR: 3.9; 95% CI: 1.5-10.1; P =. 003) appeared associated with cCMV. Given the rate of cCMV was lower than expected, the prevention part of the study was cancelled. Conclusions: Newborns from women with preconception immunity have a low rate of cCMV, which appears to be mostly due to reactivation of the latent virus. Therefore, serological screening in childbearing age would be pivotal to identify HCMV-seropositive women, whose newborns have a low risk of cCMV. Clinical trials registration: www.clinicaltrials.gov (NCT03973359)