47 research outputs found
The Governance of Corporate Responses to Climate Change: An International Comparison
In response to pressures from governments, investors, non-governmental organisations and other stakeholders, many large corporations have adopted a variety of carbon and energy management practices, taken action to reduce their emissions and set targets to reduce their greenhouse gas emissions. Using the case of international retailers, this article examines whether, and under what conditions, non-state actors might be capable of assuming the governance roles that have historically been played by national governments. This article concludes that external governance pressures can, if they are aligned, robust and of sufficient duration, have a significant influence on internal governance processes and on corporate strategies and actions. However, the specific actions that are taken by companies – in particular those that require significant capital investments – are constrained by the ‘business case’. That is, companies will generally only invest capital in situations when there is a clear financial case (i.e. where the benefits outweigh the costs, when the rate of return meets or exceeds company targets) for action. That is, the extent to which external governance pressures can force companies to take action, in particular challenging or transformative actions that go beyond the boundaries of the business case, is not at all clear. This is particularly the case if the business case weakens, or if the opportunities for incremental change are exhausted. In that context, the power of non-state actors to force them to consider radical changes in their business processes and their use of energy therefore seems to be very limited
A report of the metro area educational focus of the Minnesota Agricultural Extension Service
58 pages; includes diagrams and mapsThis archival publication may not reflect current scientific knowledge or recommendations. Current information available from the University of Minnesota Extension: https://www.extension.umn.edu
A Prospective Multicenter Evaluation of Prehospital Airway Management Performance in a Large Metropolitan Region
Charles Mingus Youth Arts Center
Detail, cut out with steel beam serving as a scupper from the roof; Charles Mingus, the musician, grew up in a small house around the corner from the structure that would become known the world over as the "Watts Towers of Simon Rodia". He attended local schools in the neighborhood. His collaborator, Buddy Collette, started a Jazz Mentorship Program, which is the foundation of the music program at the center. The two-story center also has art and theater programs for children. The design architect was Celso Del
Poso. Source: Watts Towers Arts Center; http://www.wattstowers.org/ (accessed 8/11/2013
Charles Mingus Youth Arts Center
Context view, Charles Mingus Youth Arts Center to the left, back and the older Watts Tower Art Center in the foreground; Charles Mingus, the musician, grew up in a small house around the corner from the structure that would become known the world over as the "Watts Towers of Simon Rodia". He attended local schools in the neighborhood. His collaborator, Buddy Collette, started a Jazz Mentorship Program, which is the foundation of the music program at the center. The two-story center also has art and theater programs for children. The design architect was Celso Del
Poso. Source: Watts Towers Arts Center; http://www.wattstowers.org/ (accessed 8/11/2013
Charles Mingus Youth Arts Center
Entrance off small plaza into galvanized metal-clad "lean-to" lobby; Charles Mingus, the musician, grew up in a small house around the corner from the structure that would become known the world over as the "Watts Towers of Simon Rodia". He attended local schools in the neighborhood. His collaborator, Buddy Collette, started a Jazz Mentorship Program, which is the foundation of the music program at the center. The two-story center also has art and theater programs for children. The design architect was Celso Del
Poso. Source: Watts Towers Arts Center; http://www.wattstowers.org/ (accessed 8/11/2013
Charles Mingus Youth Arts Center
Detail, upper window in irregular stucco-finished concrete building; Charles Mingus, the musician, grew up in a small house around the corner from the structure that would become known the world over as the "Watts Towers of Simon Rodia". He attended local schools in the neighborhood. His collaborator, Buddy Collette, started a Jazz Mentorship Program, which is the foundation of the music program at the center. The two-story center also has art and theater programs for children. The design architect was Celso Del
Poso. Source: Watts Towers Arts Center; http://www.wattstowers.org/ (accessed 8/11/2013
Charles Mingus Youth Arts Center
Detail, dedication plaque; Charles Mingus, the musician, grew up in a small house around the corner from the structure that would become known the world over as the "Watts Towers of Simon Rodia". He attended local schools in the neighborhood. His collaborator, Buddy Collette, started a Jazz Mentorship Program, which is the foundation of the music program at the center. The two-story center also has art and theater programs for children. The design architect was Celso Del
Poso. Source: Watts Towers Arts Center; http://www.wattstowers.org/ (accessed 8/11/2013
