Panegyric of the monarch and its social context under Elizabeth I and James I

The thesis examines the relationship between poetry and politics under Elizabeth and James, tracing certain changes in modes of artistic representation through historical analysis of particular masques and entertainments. The introductory chaper discusses the close connection between poetry and ceremonial in the Renaissance: in panegyric the poet's private imagination is subordinated to public images, and his art is one of ceremonial "ornamentation". Subsequent chapters discuss the effects of social, political and religious changes on this ceremonial poetic. Chapter 31 relates the political symbolism of Tho Faerie Queene to the tradition of pageantry on which it was based, and analyzes the growing tension in the later books between public and private vallies. Chapter III discusses the new developments of the 1590s, arguing that both in politics and in literature new tensions were being felt. The first part deals with the poets associated with Essex, the second with the poetry of Sir Walter Ralegh. Chapter IV discusses the effects on panegyric of the new, less external concepts of decorum introduced by the writers of the "plain style", with special reference to FullcGreville and Samuel Daniel. Chapter Y deals with Jonson's masques, showing that while in political concent they mirror the line taken by the king and his more conservative advisers, in artistic form they display an ambivalence characteristic of Jonson's work. Chapter VI discusses the Jacobean poets wco imitated Spenser, showing the continuity of l.heir political concerns from the public poetry of the 1590s and arguing that Spenserian poetry, especially pastoral, became a protest against the corruption of the Jacobean court. A newly discovered draft of a masque for the wedding of Princess Elizabeth in 1613 is included in an Appendix

An HDG Method for Dirichlet Boundary Control of Convection Dominated Diffusion PDE

We first propose a hybridizable discontinuous Galerkin (HDG) method to approximate the solution of a \emph{convection dominated} Dirichlet boundary control problem. Dirichlet boundary control problems and convection dominated problems are each very challenging numerically due to solutions with low regularity and sharp layers, respectively. Although there are some numerical analysis works in the literature on \emph{diffusion dominated} convection diffusion Dirichlet boundary control problems, we are not aware of any existing numerical analysis works for convection dominated boundary control problems. Moreover, the existing numerical analysis techniques for convection dominated PDEs are not directly applicable for the Dirichlet boundary control problem because of the low regularity solutions. In this work, we obtain an optimal a priori error estimate for the control under some conditions on the domain and the desired state. We also present some numerical experiments to illustrate the performance of the HDG method for convection dominated Dirichlet boundary control problems

Unworking Milton: Steps to a Georgics of the Mind

Traditionally read as a poem about laboring subjects who gain power through abstract and abstracting forms of bodily discipline, John Milton’s Paradise Lost (1667, 1674) more compellingly foregrounds the erotics of the Garden as a space where humans and nonhumans intra-act materially and sexually. Following Christopher Hill, who long ago pointed to not one but two revolutions in the history of seventeenth-century English radicalism—the first, ‘the one which succeeded[,] . . . the protestant ethic’; and the second, ‘the revolution which never happened,’ which sought ‘communal property, a far wider democracy[,] and rejected the protestant ethic’—I show how Milton’s Paradise Lost gives substance to ‘the revolution which never happened’ by imagining a commons, indeed a communism, in which human beings are not at the center of things, but rather constitute one part of the greater ecology of mind within Milton’s poem. In the space created by this ecological reimagining, plants assume a new agency. I call this reimagining ‘ecology to come.

Neptune to the Common-wealth of England (1652): the republican Britannia and the continuity of interests

In the seventeenth century, John Kerrigan reminds us, “models of empire did not always turn on monarchy”. In this essay, I trace a vision of “Neptune’s empire” shared by royalists and republicans, binding English national interest to British overseas expansion. I take as my text a poem entitled “Neptune to the Common-wealth of England”, prefixed to Marchamont Nedham’s 1652 English translation of Mare Clausum (1635), John Selden’s response to Mare Liberum (1609) by Hugo Grotius. This minor work is read alongside some equally obscure and more familiar texts in order to point up the ways in which it speaks to persistent cultural and political interests. I trace the afterlife of this verse, its critical reception and its unique status as a fragment that exemplifies the crossover between colonial republic and imperial monarchy at a crucial moment in British history, a moment that, with Brexit, remains resonant

Poetry, portraiture and praise:Suckling and Van Dyck, Lovelace and Lely

The interrelationship between poetry and painting, a perennial focus for critical enquiry, takes on a particular cast in the cavalier poetry of the early to middle seventeenth century. Influenced both by the dominance of Van Dyck’s style of portraiture and by the public prominence of epideictic rhetoric, the moment of ekphrasis becomes an opportunity to practice and to explore the viability of praise. This essay examines the reflexivity of an epideictic poetry that makes the praising art its focus, through an examination of works in which claims for the qualities of the artistry in question are permitted to reflect back on the accomplishment of the works themselves. In poems by John Suckling and Richard Lovelace we see how the resort to ekphrasis permits a moment of aesthetic and poetic self-criticism that demonstrates the extent to which cavalier poetry could involve a searching examination of its own enabling conditions