Mozart and aristocratic women performers in Salzburg : a study of the piano concertos K. 242 and K. 246

Among recent approaches to Classic music, one of the most revealing is the investigation of expression via topoi. Pioneered by Leonard Ratner, and developed by leading musicologists specializing in 18th-century music, this system identifies characteristic figures and styles that conveyed specific meanings to 18th-century audiences via processes of association. These implications resulted from intimate contacts with everyday musical activities in worship, entertainment, dance ceremonies, the military, hunt, and outdoor events. Familiarity with such characteristic topoi and styles enables listeners and performers today to reconstruct the original venues of communication between composers and their audiences. Serving as case studies, this paper explores the expressive content of two concertos intended for aristocratic women performers in Salzburg: the Concerto for three keyboards in F, K. 242 (1776), written for the Countess Antonia Lodron and her two daughters, Aloysia and Josepha, and the keyboard concerto in C, K. 246 (1776) intended for the Countess Antonia Lützow. Indeed, it seems that much as Mozart provided his singers with arias that were tailored to their voices,3 in these cases, he granted the Countesses music that was redolent of their social milieu. In support of this hypothesis, this article opens with a description of several social-musical activities that engaged the Lodron and Lützow families in Salzburg during the 1770s. It then proceeds to discuss references to these concertos found in the Mozart family correspondence. While much of this information is gleaned from well-known Mozart sources, its recall establishes the cultural and sociological context for these specific works, and provides an insight into the manner of performance that Mozart valued for this music. The paper concludes with a semiotic analysis of selected passages, suggesting that the choice of the topical content bears homage to the women dedicatees

Composing Pieces for Peace: Using Impromptu to Build Cross-Cultural Awareness

Music has long played a role as an ambassador for peace and understanding between cultures. Yet, there is little research that gauges how creating music aids in the development of cross-cultural awareness. Given today’s tense political climate post-9/11, further investigation of the role that music can play in fostering cross-cultural awareness is needed. Using a sociocultural constructionist framework, this study investigated how 22 youth (12 girls and 10 boys) from the United States, in communication with youth in Tel-Aviv, Israel, analyzed and composed music steeped in traditional Hebrew, Arabic, and Western traditions using the computer program, Impromptu. Participants took part in pre-tests and post-tests to measure their awareness and respect for Israelis at the start and end of the study using the Cross-Cultural Awareness Drawing Task (Bar-Tal & Teichman, 2005). Using qualitative techniques, the researchers analyzed the written reflections of participants on their music composition process over the course of the intervention. Findings suggest that the music composition and analysis exercises had a positive impact on the development of crosscultural awareness over time among American students, helping to counter the common misconceptions about the Middle East fostered in today’s media

Impact of arts participation on children’s achievement:A systematic literature review

This paper reports on a systematic literature review to examine the association between children and young people’s participation in arts activities and their academic achievement. The 24 studies that met our criteria for inclusion and weight of evidence (2004-16) had mixed findings. Whilst many of the research designs employed would not meet positivist criteria for rigour – such as sample size, statistical significance and causality – typically required by public bodies to justify expenditure, there are examples throughout the literature reviewed of academically-related benefits to participants, such as increased confidence, creativity or more positive attitude towards their studies. Overall, there appears to be some justification from the literature for public investment in high-quality, long-term arts education programmes for children and young people in schools and community settings, on the basis of its potential to enhance academic achievement. However, there may be more intrinsic benefits to arts participation than the instrumental, essentially economic justification of improved academic standards

In Harmony: A technology-based music education model to enhance musical understanding and general learning skills

This article reports on the practice and evaluation of a music education model, In Harmony, which utilizes new technologies and current theories of learning to mediate the music learning experience. In response to the needs of twenty-first century learners, the educational software programs Teach, Learn, Evaluate! and Impromptu served as central components of the program’s curriculum. Moreover, drawing on educational theories that value general learning skills as prerequisites to scholastic achievement, the In Harmony program provided a context in which students could improve their working memory, self-regulation, and cognitive flexibility. The model was adopted internationally in Bloomington, IN and Jaffa, Israel, and featured individual tasks administered through computer software, as well as group music composition activities. By incorporating computer technology within the program’s design, and targeting the above-mentioned learning skills, we sought to strengthen the impact of the music lessons and deepen our understanding of the mechanisms linking music education and enhanced cognitive development. Quantitative and qualitative evaluation of the children’s working memory, self-regulation, and cognitive flexibility, as well as qualitative analyses of data collected during the intervention, indicated that the In Harmony model and the educational software used successfully scaffold musical instruction, with beneficial outcomes in fostering working memory, self-regulation, and cognitive flexibility. </jats:p

Students’ motivation to study music: Israel

As a part of a larger international mapping exercise to examine students’ motivation to study music as compared to other school subjects, this article reports data drawn from a sample of 2257 Israeli students (primary to high school). Questionnaires were based on the expectancy-value theoretical framework by examining students’ perceptions of values, competence and task difficulty. Mixed-design ANOVAs were used to examine differences in students’ motivational beliefs across school levels, between music and non-music learners, and between girls and boys. Results of the analyses showed two major issues distinctive from the comparison of the eight-country analyses: (a) the lowest perceptions of task values and competence beliefs for any country among non-music learners in the upper level grades, and (b) a significant developmental increase in task difficulty for music as compared to other school subjects. In addition, the results of the Israeli data revealed that music learners attached higher values to music, art and science than non-music learners, and expressed significantly lower perceptions of difficulty for music, art and science than non-music learners. Furthermore, while music was one of the lowest-ranked subjects for in-school study, it was one of the highest-ranked subjects for out-of-school study. This suggests that music participation itself is not lacking in motivation or interest among students in Israel, but that the school system is not presently providing for the musical needs and interest of much of its youth population, in upper-level grades (middle and high school). </jats:p