On the Change in Archivability of Websites Over Time

As web technologies evolve, web archivists work to keep up so that our digital history is preserved. Recent advances in web technologies have introduced client-side executed scripts that load data without a referential identifier or that require user interaction (e.g., content loading when the page has scrolled). These advances have made automating methods for capturing web pages more difficult. Because of the evolving schemes of publishing web pages along with the progressive capability of web preservation tools, the archivability of pages on the web has varied over time. In this paper we show that the archivability of a web page can be deduced from the type of page being archived, which aligns with that page's accessibility in respect to dynamic content. We show concrete examples of when these technologies were introduced by referencing mementos of pages that have persisted through a long evolution of available technologies. Identifying these reasons for the inability of these web pages to be archived in the past in respect to accessibility serves as a guide for ensuring that content that has longevity is published using good practice methods that make it available for preservation.Comment: 12 pages, 8 figures, Theory and Practice of Digital Libraries (TPDL) 2013, Valletta, Malt

Music Video Redundancy and Half-Life in YouTube

PDF of a powerpoint presentation from TPDL 2011: 15th International Conference on Theory and Practice of Digital Libraries, in Berlin, Germany, September 25-29, 2011. Also available on Slideshare.https://digitalcommons.odu.edu/computerscience_presentations/1019/thumbnail.jp

Immunonephelometric Determination of the Apolipoprotein A-II

Peer Reviewe

Nietzsche\u27s Dialogic Ethic After Illusion: Rhetoric and Difference

What is the nature of the relationship between communication ethics and rhetoric? How may study of the interplay between dialogue as a communication ethic and ground of rhetoric contribute to greater understanding and constructive meeting of the narrative and virtue contention that characterizes the contemporary postmodern historical moment? A prominent alleged source of postmodern value contention and a neglected source for advancing the study of the interpenetration of ethics and rhetoric, Friedrich Nietzsche, as a novel hermeneutic entry to engage these questions and demarcates the fields of inquiry this study addresses. The present work begins with meeting the contemporary historical moment characterized by metanarrative disintegration. With metanarrative disintegration, difference and multiplicity are now privileged. The privileging of difference communicates a turn to dialogue rather than the modern bias towards telling in shaping communicative activity. Meeting the alterity within the temporal existential moment occurs through the operative of metaphor. Levinas\u27 focus on the dialogic tension between saying and said displays the manner in which meeting emerges to offer temporal ground. The multiplicity of ways meanings emerge to offer temporal ground become realized through the imbricating architectonic Nietzschean metaphors of perspectivism, genealogy, and revaluation of values, producing a dialogic ethic of meeting. This outcome interprets otherwise the work, as Levinas also does, of whom many consider the founder of deconstruction, Friedrich Nietzsche. Nietzsche\u27s dialogic ethic displays the ongoing interplay of recognition of decaying said and the ongoing hope in the saying as meeting

‘A fijar con ritmo y rima / el fluyente pensamiento’: huellas del "Cancionero" medieval en el "Cancionero" de Unamuno

La adopción de la cuarteta aconsontada y de otras formas tradicionales de tipo cancioneril en el Cancionero de Unamuno tiene una función sobre todo condensadora y rítmica, presentando varios aspectos: desde formas imitativas e híbridas que incluyen temas medievales, pasando por aforismos y sentencias, hasta experimentos de tipo vanguardístico que multiplican planos semánticos.The adoption of the rhymed quartet and of other traditional medieval Spanish poetry patterns in Unamuno’s Cancionero has mainly a condensing and rhythmic function, offering different aspects, from hybrid counterfeits which include medieval themes, going through aphorisms and sayings up to avant-garde experiments which multiply semantic layers

"Como haya muchas truchuelas (...) podrán servir de una trucha" (Don Quijote I.2)

The second chapter of Cervantes’s masterwork hints already to the most innovative fiction genre in the Spanish literature of his time, the picaresque novel, thus proposing an innovative overcrossing with the main chivalric romance model, which is undergoing parody, in a literary dialogue between genres

A influência da publicidade na construção das notícias na web: um estudo do UOL e Globo.com

Análise da relação entre o jornalismo digital e a publicidade online nos sites jornalísticos, observando a influência das narrativas publicitárias na construção e qualidade das notícias. Para isso, foram analisadas durante uma semana as chamadas jornalísticas e publicitárias das duas homepages jornalísticas mais visitadas no Brasil, o UOL Notícias e o Globo.com, segundo a base de dados Alexa (www.alexa.com.br). Foram elaboradas reflexões críticas associadas às teorias do jornalismo e ao estudo sobre os efeitos das Novas Tecnologias e da publicidade na sociedade contemporânea, especificamente, na construção das narrativas jornalísticas. Os resultados alcançados revelam que a função social do jornalismo na atualidade é complexa e exige atenção aos parâmetros de qualidade