Identifying and investigating pesticide application types to promote a more sustainable pesticide use: the case of smallholders in Boyacá, Colombia

The present paper investigates pesticide application types adopted by smallholder potato producers in the Department of Boyacá , Colombia. In this region, environmental, health and adverse economic effects due to pesticide mis- or over-use respectively have been observed. Firstly, pesticide application types were identified based on input-effectiveness. Secondly, their determinants of adoption were investigated. Finally suggestions were given to develop intervention options for transition towards a more sustainable pesticide use. Three application types were identified for fungicide and insecticide. The types differed in terms of input (intensity of pesticide application), effect (damage control), frequency of application, average quantity applied per application, chemical class, and productivity. Then, the determinants of different pesticide application types were investigated with a multinomial logistic regression approach and applying the integrative agent centred (IAC) framework. The area of the plot, attendance at training sessions and educational and income levels were among the most relevant determinants. The analysis suggested that better pesticide use could be fostered to reduce pesticide-related risks in the region. Intervention options were outlined, which may help in targeting this issue. They aim not only at educating farmers, but to change their social and institutional context, by involving other agents of the agricultural system (i.e. pesticide producers), facilitating new institutional settings (i.e. cooperatives) and targeting social dynamics (i.e. conformity to social norms)

Sulphur Extrusion

Abstract Not Provided

Dynamics of a ferromagnetic domain wall and the Barkhausen effect

We derive an equation of motion for the the dynamics of a ferromagnetic domain wall driven by an external magnetic field through a disordered medium and we study the associated depinning transition. The long-range dipolar interactions set the upper critical dimension to be $d_c=3$, so we suggest that mean-field exponents describe the Barkhausen effect for three-dimensional soft ferromagnetic materials. We analyze the scaling of the Barkhausen jumps as a function of the field driving rate and the intensity of the demagnetizing field, and find results in quantitative agreement with experiments on crystalline and amorphous soft ferromagnetic alloys.Comment: 4 RevTex pages, 3 ps figures embedde

First direct observation of Dirac fermions in graphite

Originating from relativistic quantum field theory, Dirac fermions have been recently applied to study various peculiar phenomena in condensed matter physics, including the novel quantum Hall effect in graphene, magnetic field driven metal-insulator-like transition in graphite, superfluid in 3He, and the exotic pseudogap phase of high temperature superconductors. Although Dirac fermions are proposed to play a key role in these systems, so far direct experimental evidence of Dirac fermions has been limited. Here we report the first direct observation of massless Dirac fermions with linear dispersion near the Brillouin zone (BZ) corner H in graphite, coexisting with quasiparticles with parabolic dispersion near another BZ corner K. In addition, we report a large electron pocket which we attribute to defect-induced localized states. Thus, graphite presents a novel system where massless Dirac fermions, quasiparticles with finite effective mass, and defect states all contribute to the low energy electronic dynamics.Comment: Nature Physics, in pres

A Survey of OH Masers Towards High Mass Protostellar Objects

We present a survey of OH maser emission towards a sample of high mass protostellar objects made using the Nancay and GBT telescopes.OH maser emission was detected towards 63 objects with 36 new detections. There are 56 star-forming regions and 7 OH/IR candidates. There is no evidence that sources with OH masers have a different range of luminosities from the non-maser sources. The results of this survey are compared with previous water and class II methanol maser observations of the same objects. Some of the detected sources are only associated with OH masers and some sources are only associated with the 1720 MHz OH maser line. The velocity range of the maser emission suggests that the water maser sources may be divided into two groups. The detection rates and velocity range of the OH and Class II methanol masers support the idea that there is a spatial association of the OH and Class II methanol masers. The sources span a wide range in R, the ratio of the methanol maser peak flux to OH 1665 MHz maser peak flux, however there are only a few sources with intermediate values of R, 8<R<32, which has characterised previous samples. Sources which have masers of any species, OH, water or methanol, have redder [100um-12um] IRAS colours than those without masers. However, there is no evidence for different maser species tracing different stages in the evolution of these young high mass sources. Previous observations which have shown that the OH maser emission from similar sources traces the circumstellar disks around the objects. This combined with the sensitivity of the OH emission to the magnetic field, make the newly detected sources interesting candidates for future follow-up at high angular resolution.Comment: Accepted for publication in A&

Dynamics of a ferromagnetic domain wall: avalanches, depinning transition and the Barkhausen effect

We study the dynamics of a ferromagnetic domain wall driven by an external magnetic field through a disordered medium. The avalanche-like motion of the domain walls between pinned configurations produces a noise known as the Barkhausen effect. We discuss experimental results on soft ferromagnetic materials, with reference to the domain structure and the sample geometry, and report Barkhausen noise measurements on Fe$_{21}$Co$_{64}$B$_{15}$ amorphous alloy. We construct an equation of motion for a flexible domain wall, which displays a depinning transition as the field is increased. The long-range dipolar interactions are shown to set the upper critical dimension to $d_c=3$, which implies that mean-field exponents (with possible logarithmic correction) are expected to describe the Barkhausen effect. We introduce a mean-field infinite-range model and show that it is equivalent to a previously introduced single-degree-of-freedom model, known to reproduce several experimental results. We numerically simulate the equation in $d=3$, confirming the theoretical predictions. We compute the avalanche distributions as a function of the field driving rate and the intensity of the demagnetizing field. The scaling exponents change linearly with the driving rate, while the cutoff of the distribution is determined by the demagnetizing field, in remarkable agreement with experiments.Comment: 17 RevTeX pages, 19 embedded ps figures + 1 extra figure, submitted to Phys. Rev.

Modern Electronic Techniques Applied to Physics and Engineering

Contains reports on two research projects

When Peter met Sergei:Art cinema past, present and future in Eisenstein in Guanajuato

Peter Greenaway has established himself as one of British cinema's most distinctive film-makers. Yet he also remains one of its most controversial and problematic figures. In the 1980s and early1990s, alongside Derek Jarman, Greenaway came to embody British art cinema. He subsequently has taken on the paradoxical status of a major film-maker who simultaneously exists on the margins. He has also become a self-imposed exile who believes that his unique brand of art cinema is best appreciated on the continent. In effect, Greenaway has become British art cinema's prodigal son. This article focuses on Eisenstein in Guanajuato (2015), a semi-fictionalised account of the ten days that Eisenstein spent in the city of Guanajuato while filming the uncompleted Que Viva Mexico! The article argues that what makes Eisenstein in Guanajuato so resonant is the way in which Greenaway both celebrates cinema's past while also daring to suggest a possible future. Indeed, while this article will show that the film is part of a new phase in Greenaway's career which is devoted to biographical films about artists, Eisenstein in Guanajuato is no simple biopic of Eisenstein. Rather, it offers a complex fusion of both the Russian and British film-makers' theories about the cinema, particularly their shared interest in film aspect ratios and the concept of the total art work. Furthermore, it stands as a superb illustration of Greenaway's vision of cinema as an interactive and encyclopaedic medium. As this is a co-production between the Netherlands, Belgium, France, Finland and Mexico, which featured no British investment and, at the time of writing, has yet to be shown in the UK, this article will also show that we require new ways of theorising art cinema not only in British but also in international contexts.</p