Composition is not research

Copyright © Cambridge University Press 2015Composers in academic institutions are increasingly required to describe their activities in terms of 'research ' - formulating 'research questions', 'research narratives', 'aims' and 'outcomes'. Research plans and funding applications require one to specify the nature of the original contribution that will be made by a piece of music, even before it is composed. These requirements lead to an emphasis on collaborative work, technology and superficial novelty of format. Yet the very idea that musical composition is a form of research is a category error: music is a domain of thought whose cognitive dimension lies in embodiment, revelation or presentation, but not in investigation and description. It is argued here that the idea of composition as research is not only objectively false but inimical to genuine musical originality

Die Welt als Wille und Vorstellung : zweiter Band

Zweiter Band, welcher die Ergänzungen zu den vier Büchern des ersten Bandes enthält

On the Matter and Intelligence of the Architectural Model: Arthur Schopenhauer’s Psychophysiological Theory of Architecture and Konrad Wachsmann’s Design of a Space Structure

During the last decades of the twentieth century, the modernist concept of ‘space’ in architecture became a subject of inquiry for architectural critics and historians. One curiosity arising within the discourse suggested that the thinking of the nineteenth-century philosopher Arthur Schopenhauer was foundational for the concept of ‘space’ that developed in German aesthetics throughout the nineteenth and into the twentieth centuries, eventually informing modernist architectural theory. This essay looks at the way Schopenhauer used architectural models, not only to clarify his understanding of space, but also to demonstrate what was for him the much more important notion of ‘Idea’. It then turns to the German modernist architect Konrad Wachsmann, who was most famous for his seminal book, The Turning Point of Building (1961), which advocated the industrialization of building as a project for architecture. The essay asks if Schopenhauer’s distinction between ‘space’ and ‘Idea’ can illuminate the new ‘understanding of space’ that Wachsmann thought would arise as a consequence of a systematic industrialization of building. Discussion will focus on a particular section of Wachsmann’s book that gives an account of his design of a space structure commissioned by the US Air Force in 1959, taking that project as exemplary of his thinking, working methods and values. It will also take note of the way in which the space structure stimulated the imagination of the American artist, Robert Smithson, who began to envisage the entire planet as encapsulated in an enormous virtual grid – one that was, like a Schopenhauerian ‘Idea’, supposedly constituted out of mind and matter. To end the essay looks briefly at the notion of ‘field,’ which, many architects argued at the time, would supersede ‘space’ as the conceptual mainspring of theory and practice

Three Styles in the Study of Violence

This is a postprint (accepted manuscript) version of the article published in Reviews in Anthropology 37:1-19. The final version of the article can be found at http://dx.doi.org/10.1080/00938150701829525 (login required to access content). The version made available in Digital Common was supplied by the author.Accepted Manuscripttru

`Iconoclastic', Categorical Quantum Gravity

This is a two-part, `2-in-1' paper. In Part I, the introductory talk at `Glafka--2004: Iconoclastic Approaches to Quantum Gravity' international theoretical physics conference is presented in paper form (without references). In Part II, the more technical talk, originally titled ``Abstract Differential Geometric Excursion to Classical and Quantum Gravity'', is presented in paper form (with citations). The two parts are closely entwined, as Part I makes general motivating remarks for Part II.Comment: 34 pages, in paper form 2 talks given at ``Glafka--2004: Iconoclastic Approaches to Quantum Gravity'' international theoretical physics conference, Athens, Greece (summer 2004

A Dodecalogue of Basic Didactics from Applications of Abstract Differential Geometry to Quantum Gravity

We summarize the twelve most important in our view novel concepts that have arisen, based on results that have been obtained, from various applications of Abstract Differential Geometry (ADG) to Quantum Gravity (QG). The present document may be used as a concise, yet informal, discursive and peripatetic conceptual guide-cum-terminological glossary to the voluminous technical research literature on the subject. In a bonus section at the end, we dwell on the significance of introducing new conceptual terminology in future QG research by means of `poetic language'Comment: 16 pages, preliminary versio

Constitutivism

A brief explanation and overview of constitutivism