Geschichte der deutschen Literatur. 1789 bis 1830

Hans-Dietrich Dahnke, Thomas Höhle, and Hans-Georg Werner, eds. Berlin: Volk und Wissen, 1978. (Geschichte der deutschen Literatur von den Anfängen bis zur Gegenwart, 7), 967 p. 35,- M

Whose Revolution Was It? Stalinism and the Stasi in the Former GDR

No footnotes

Ingrid Pepperle: Junghegelianische Geschichtsphilosophie und Kunsttheorie

Berlin: Akademieverlag, 1978. (Literatur und Gesellschaft), 287 S. M 9,-

Walls, Borders, Boundaries

Walls are built and then fall, borders are fortified and then shift, boundaries are demarcated and then transgressed. And then they are constructed all over again. As (post)moderns living in an age of globalization, we weary of our seemingly old-fashioned political and market-oriented boundaries: walls and fences are a nuisance to build and maintain, they invite vandalism and intrusion (rather than guarantee privacy or protection), and public surveys often reveal disapproval of national boundaries for moral, aesthetic, and economic reasons. Indeed, recently erected walls and borders intended to sever communities or fortify political and economic boundaries between neighboring countries rarely solve the underlying political problems; more often they result in increased criminal activity, violence, and alienation

Spectral cinema from a phantom state: film aesthetics and the politics of identity in Divided Heaven and Solo Sunny

In this essay I draw on close textual analysis to consider the interface between film aesthetics and the politics of identity in Konrad Wolf’s Der geteilte Himmel / Divided Heaven (1964) and Solo Sunny (1979). Both films focus on women who have to confront painful processes of self realisa-tion in specifically East German contexts. They also show Wolf and his collaborators working in two very different modes, from a nouvelle vague-inspired mix of location shooting and self-conscious formal artifice to a more laconic style and mobile camera that borrow from documentary aesthetics. Viewed from the perspective of today, the films resist the reductive stereotyping of what Christa Wolf in 1991 called the 'phantom' East Germany, and offer a more productive haunting. As living ghosts in the post-reunification era, they are a reminder of the necessity of remembering, and so confound both a negative 'master narrative' of the GDR and a collective amnesia with no interest in this history

ICT4S 2029: What Will Be The Systems Supporting Sustainability in 15 Years

Research is often inspired by visions of the future. These visions can take on various narrative forms, and can fall anywhere along the spectrum from utopian to dystopian. Even though we recognize the importance of such visions to help us shape research questions and inspire rich design spaces to be explored, the opportunity to discuss them is rarely given in a research context. Imagine how civilization will have changed in 15 years. What is your vision for systems that will be supporting sustainability in that time Which transformational changes will have occurred in the mean time that allow for these systems Is ICT even the right tool or does it contradict sustainability by making our world ever more complex How can we make systems and our societies more sustainable and resilient by ICT4S This paper presents a compilation of fictional abstracts for inspiration and discussion, and provides means to stimulate discussion on future research and contributes to ICT4S community building