The Soldier's Tale to be read and played in two parts. Music by Igor Stravinsky

The Soldier's Tale to be read and played in two parts. Music by Igor Stravinsk

Henri Temianka Correspondence; (stravinsky)

https://digitalcommons.chapman.edu/temianka_correspondence/2943/thumbnail.jp

Legal Analysis of Punishment for Perpetrators of Violence Against Children in the Perspective of Substantive Justice (Study of Decision Number 103/Pid.Sus/2017/PN Psb)

This study aims to analyze the application of the law to perpetrators of child abuse in Decision Number 103/Pid.Sus/2017/PN Psb and to assess the extent to which the decision reflects the principles of justice and legal protection for child victims. The phenomenon of violence against children in Indonesia continues to increase, but the response of criminal justice often does not fully support the best interests of children. A qualitative approach with a case study design was used in this study, focusing on one court decision as the unit of analysis. Data were collected through court decision documentation, literature studies, and reviews of laws and regulations, which were analyzed descriptively-qualitatively to reveal the suitability of the application of the law to the principles of child protection. The results of the study indicate that normatively, the judge has applied the provisions in Article 80 paragraph (1) in conjunction with Article 76C of Law No. 35 of 2014 by imposing a sentence on the defendant. However, the decision does not fully reflect substantive justice because it does not contain an order for psychological recovery for child victims. This finding indicates that the legal approach still tends to be repressive and has not touched on holistic aspects of recovery. This study contributes to the understanding of the weaknesses of the juvenile criminal justice system in ensuring comprehensive justice. Further research is recommended to examine the implementation of the decision and its impact on the psychosocial conditions of child victims of violence

Darrer festival Strawinsky

De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.Direcció artística Empresa Joan Mestres CalvetOrquestra del Gran Teatre del Liceu dirigida per Igor StravinskyPianista : Soulima Stravinsk

Petrouchka

De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents

Behind the Image, Beyond the Image

The volume includes papers presented at the III International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies of Moscow (Venice, 22-24 September 2021). The word ‘image’ derives from the Latin imago, a word that has many different meanings that go from ‘portrait’ to ‘ghost’, from ‘idea’ to ‘dream’, from ‘memory’ to ‘reflection’. We most commonly associate the word ‘image’ with a picture, but its etymology keeps reminding us of its infinite conceptual potential. In his famous book Behind the Image: The Art of Reading Paintings, Federico Zeri argues that there are infinite ways to observe the work of art as an image. But since the image is something that goes beyond its mere material and physical form and refers to the categories of perception and thought, the expression “beyond the image” encourages new formulations related to this polyvalent concept. The image, the imagination and the imaginable are the transversal categories that the papers collected in this volume aim to explore, inquiring the concept of image as a metaphor, a model, a method, a representation, a tool for a new understanding of reality

Gran compañía De Basil's Ballets Rusos (de Montecarlo)

Carnaval de Robert Schumann ; Petrouchka d'Igor Stravinsky ; El Bello Danubio Azul de Johann StraussDe cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.Empresa : Juan Mestres Calve

The rake's progress

De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.Direcció: Helmut Wessel-TherhornEmpresa: Juan A. Pamia

Bailes rusos

El Pájaro de fuego / Ígor Stravinsky ; Parade / tema de Juan Cocteau ; Cleopatra / Rimsky-KorsakowParade / decorat, teló i vestuari de Pablo PicassoDe cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents

Beauty in Disability: An Aesthetics for Dance and for Life

To what extent does dance contribute to an ideal of beauty that can enrich human quality of life? To what extent are standards of beauty predicated on an ideal human body that has no disability? In this chapter, we show how conceptions of proportionality, perfection, and ethereality from the Ancient Greeks through the 19th century can still be seen today in some kinds of dance, particularly in ballet. Disability studies and disability-inclusive dance companies, however, have started to change this. The disabled person can be beautiful, we will show, in dance and in life, under a disability aesthetics that follows Edmund Burke (1730-1797) and that suggests an alternative standard of beauty, which we call “beauty-in-experience,” where beauty is perceived in the qualitative experience of abled and disabled dancers moving together in dance.https://ecommons.udayton.edu/books/1023/thumbnail.jp