An introductory view on archaeoastronomy

Archaeoastronomy is still a marginalised topic in academia and is described by the Sophia Centre, the only UK institution offering a broader MA containing this field, as ‘the study of the incorporation of celestial orientation, alignments or symbolism in human monuments and architecture’. By many it is associated with investigating prehistoric monuments such as Stonehenge and combining astronomy and archaeology. The following will show that archaeoastronomy is far more than just an interdisciplinary field linking archaeology and astronomy. It merges aspects of anthropology, ethno-astronomy and even educational research, and is possibly better described as cultural astronomy. In the past decades it has stepped away from its quite speculative beginnings that have led to its complete rejection by the archaeology community. Overcoming these challenges it embraced full heartedly solid scientific and statistical methodology and achieved more credibility. However, in recent times the humanistic influences of a cultural context motivate a new generation of archaeoastronomers that are modernising this subject; and humanists might find it better described as post-modern archaeoastronomy embracing the pluralism of today’s academic approach to landscape and ancient people

The origins of Avebury.

The Avebury henge is one of the famous megalithic monuments of the European Neolithic, yet much remains unknown about the detail and chronology of its construction. Here, the results of a new geophysical survey and re-examination of earlier excavation records illuminate the earliest beginnings of the monument. The authors suggest that Avebury's Southern Inner Circle was constructed to memorialise and monumentalise the site of a much earlier ‘foundational’ house. The significance here resides in the way that traces of habitation may take on special social and historical value, leading to their marking and commemoration through major acts of monument building

An Elusive Legacy: The Rediscovery of Roman Baths in Eighteenth-Century Britain

In this paper, I investigate how eighteenth-century antiquarians engaged with the remains of Roman bath buildings in Britain and discuss their multifaceted attitude towards the ancient practice of bathing, with a focus on the city of Bath. I also examine the interests and priorities of Georgian scholars in studying Roman baths and their structure, highlighting their sometimes uncritical use of Classical sources and tracking the origins of their misconceptions regarding the components and function of these facilities. Finally, I briefly address the elusive socio-cultural legacy of Roman baths and bathing in eighteenth-century Britain, stressing influences and differences in practice and architecture

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Book synopsis: William Blake, poet and artist, is a figure often understood to have 'created his own system'. Combining close readings and detailed analysis of a range of Blake's work, from lyrical songs to later myth, from writing to visual art, this collection of thirty-eight lively and authoritative essays examines what Blake had in common with his contemporaries, the writers who influenced him, and those he influenced in turn. Chapters from an international team of leading scholars also attend to his wider contexts: material, formal, cultural, and historical, to enrich our understanding of, and engagement with, Blake's work. Accessibly written, incisive, and informed by original research, William Blake in Context enables readers to appreciate Blake anew, from both within and outside of his own idiom