222 research outputs found

    Late style and speaking out: J A Symonds's In the Key of Blue

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    This article examines In the Key of Blue (1893)—an essay collection by John Addington Symonds—as a case study in queer public utterance during the early 1890s. Viewed through the critical lens of late style, as theorised by Edward Said, the evolution of this project, from compilation through to reader reception, reveals Symonds's determination to “speak out” on the subject of homosexuality. Paradoxically, In the Key of Blue was thus a timely and untimely work: it belonged to a brief period of increased visibility and expressiveness when dealing with male same-sex desire, spearheaded by a younger generation of Decadent writers, but it also cut against the grain of nineteenth-century social taboo and legal repression. Symonds's essay collection brought together new and previously unpublished work with examples of his writing for the periodical press. These new combinations, appearing together for the first time, served to facilitate new readings and new inferences, bringing homosexual themes to the fore. This article traces the dialogic structure of In the Key of Blue , its strategies for articulating homosexual desire, and examines the response of reviewers, from the hostile to celebratory

    Two Italian Portraits

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    Shelley

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    John Addington Symonds (1840–93), well known as an author, poet and critic, wrote this biography of the poet Percy Bysshe Shelley (1792–1822) in an attempt to portray the complete man. Shelley, Symonds writes, was more than a controversial atheist. He was full of earnest conviction, enthusiasm, and intellectual vigour, but also extravagance, crudity and presumption. Published in 1878 in the first series of English Men of Letters, this book thus provides an account of a literary life famously cut short, describing a writer whose intellectual and poetic legacy was perhaps not fully appreciated in the Victorian period, when the response to his poems was frequently coloured by antipathy to his revolutionary ideas and his unconventional private life, as well as to his loudly proclaimed atheism.</jats:p

    Vida de Miguel Angel

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    Untitled Essay

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    A Problem in Modern Ethics

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